David Spener

We Shall Not Be Moved/No Nos Moveran

Biography of a Song of Struggle

• Gebundenes Buch

Produktbeschreibung

David Spener is chairperson of the Department of Sociology and Anthropology at Trinity University in San Antonio, Texas.¿ He is the co-author (with Moisés Chaparro and José Seves) of Canto de las estrellas: Un homenaje a Víctor Jara and author of Clandestine Crossings: Migrants and Coyotes on the Texas-Mexico Border. He is also the co-editor (with Gary Gereffi and Jennifer Bair) of Free Trade and Uneven Development: The North American Apparel Industry after NAFTA (Temple).

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Temple University Press
• Seitenzahl: 166
• Erscheinungstermin: 29. April 2016
• Englisch
• Abmessung: 211mm x 140mm x 20mm
• Gewicht: 318g
• ISBN-13: 9781439912973
• ISBN-10: 1439912971
• Artikelnr.: 43857835

Autorenporträt

David Spener is chairperson of the Department of Sociology and Anthropology at Trinity University in San Antonio, Texas.  He is the co-author (with Moisés Chaparro and José Seves) of Canto de las estrellas: Un homenaje a Víctor Jara and author of Clandestine Crossings: Migrants and Coyotes on the Texas-Mexico Border. He is also the co-editor (with Gary Gereffi and Jennifer Bair) of Free Trade and Uneven Development: The North American Apparel Industry after NAFTA (Temple).

Inhaltsangabe

Acknowledgments
Introduction
I: HISTORY OF A SONG OF STRUGGLE 
1. A Song, Socialism, and the 1973 Military Coup in Chile 
2. "I Shall Not Be Moved" in the U.S. South: Blacks and Whites, Slavery and
Spirituals 
3. From Worship to Work: A Spiritual Is Adopted by the U.S. Labor Movement
and the Left 
4. From Union Song to Freedom Song: Civil Rights Activists Sing an Old Tune
for a New Cause 
5. From English in the U.S. South to Spanish in the U.S. Southwest: "We
Shall Not Be Moved" Becomes "No nos moverán" 
6. Across the Atlantic to Spain
II: MOVEMENTS AND MEANINGS 
7. Social Movement: A Song's Journey across Time and Space 
8. Translation and Transcendence in the Travels of a Song
Conclusion: An Internationalist Culture of the Singing Left in the
Twentieth Century
Coda
Appendix: Note on Methods and Sourcesy 
Notes 
References 
Index