We the Other People - Castano-Bedoya, William
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We the Other People -The Beggars of the Mercury Lights- introduces a new voice in American social literature, narrating the relationship between political power and invisible poverty amidst a crisis of conservative values, social injustice, the excesses of extremism, and the politicization of human suffering as a tool of power in the United States. The story focuses on a family, the Newmans, whose recent economic misfortune has plunged their patriarch into a depressive state in the years leading up to the global health crisis, which forms the backdrop of the novel. Steve Newman struggles to…mehr

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Produktbeschreibung
We the Other People -The Beggars of the Mercury Lights- introduces a new voice in American social literature, narrating the relationship between political power and invisible poverty amidst a crisis of conservative values, social injustice, the excesses of extremism, and the politicization of human suffering as a tool of power in the United States. The story focuses on a family, the Newmans, whose recent economic misfortune has plunged their patriarch into a depressive state in the years leading up to the global health crisis, which forms the backdrop of the novel. Steve Newman struggles to overcome his condition, creating imaginary games in which he blends experiences and fiction as therapy to ward off depression. From his misfortune and desperation emerges the resilience that rescues him from the demons that haunt him, turning him into a more compassionate member of society. Steve must come to terms with his new life, no longer from the height of opulence as he did before his failure, but now knowing firsthand society's abandonment of the poor and the socially 'invisible.' Castaño-Bedoya's novel recreates the lives of those who endure the difficulties of existence under the failure of the Constitution, and who clamor for their universal right to live without fear.
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Autorenporträt
William es un escritor profundo, humano y vivencial. En El Galpón, el autor recrea cómo el conformismo aletargado atenta contra la relatividad del éxito mientras la desconfianza y la excesiva ideologización política se convierte en el trasfondo de una solapada doble moral que torpemente empuja a los protagonistas al manoseo ético. En Los mendigos de la luz de mercurio, desnuda la injusticia social provocada por los excesos de los extremismos, la politización del sufrimiento como herramientas de control político. En Flores para María Sucel, el autor reflexiona sobre el viaje por la vida de una familia que trata desesperadamente de mantener el cuerpo y el alma juntos, mientras son destrozados por sus exilios internos. Por su parte, en los Monólogos de Ludovico, recrea el impacto de la frustración y la impotencia como factores que conforman el absurdo.