We - Zamyatin, Yevgeny
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In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD.

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Produktbeschreibung
In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD.
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Autorenporträt
Yevgeny Zamyatin (1884-1937) was a naval architect by profession and a writer by nature. His favorite idea was the absolute freedom of the human personality to create, to imagine, to love, to make mistakes, and to change the world. This made him a highly inconvenient citizen of two despotisms, the tsarist and the Communist, both of which exiled him—the first for a year, the latter forever. He wrote short stories, plays, and essays, but his masterpiece is We, written in 1920–21 and soon thereafter translated into most of the languages of the world, yet it first appeared in Russia only in 1988. It is the archetype of the modern dystopia, or anti-utopia; a great prose poem on the fate that might befall all of us if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. George Orwell, the author of 1984, acknowledged his debt to Zamyatin. The other great English dystopia of our time, Aldous Huxley’s Brave New World, was evidently written out of the same impulse, though without direct knowledge of Zamyatin’s We. Clarence Brown (translator/introducer; 1929-2015) was the editor of The Portable Twentieth-Century Russian Reader, which contains his translation of Zamyatin's short story "The Cave." Masha Gessen (foreword) is the author of more than ten books, including the National Book Award-winning The Future Is History: How Totalitarianism Reclaimed Russia and The Man Without a Face: The Unlikely Rise of Vladimir Putin. A staff writer at The New Yorker and the recipient of numerous awards, including Guggenheim and Carnegie fellowships, Gessen teaches at Bard College and lives in New York City.