We - Zamyatin, Yevgeny
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Before there was Huxley; before there was Orwell; there was Zamyatin. The grandfather of dystopian fiction wasn't George Orwell or Aldous Huxley; it was an obscure writer, one they both borrowed from. We by Yevgeny Zamyatin was written in-and smuggled out of-Soviet Russia. In it, the One State is a world where people are numbers, free will is a disease, and life has been reduced to a mathematical equation-that is, until one man tries to factor in the ultimate unknown: love.

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Produktbeschreibung
Before there was Huxley; before there was Orwell; there was Zamyatin. The grandfather of dystopian fiction wasn't George Orwell or Aldous Huxley; it was an obscure writer, one they both borrowed from. We by Yevgeny Zamyatin was written in-and smuggled out of-Soviet Russia. In it, the One State is a world where people are numbers, free will is a disease, and life has been reduced to a mathematical equation-that is, until one man tries to factor in the ultimate unknown: love.
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Autorenporträt
Born in Russia in 1884, Yevgeny Zamyatin was one of those courageous and idealistic Communists who was willing to suffer for speaking out against the abuses of both the oppressive Tsarist monarchy and the quickly corrupted Soviet Union which supplanted it. As an early Bolshevik, Zamyatin enjoyed-at least initially-enough credibility after the October Revolution to continue to write philosophy and even political satire, becoming one of the first Soviet dissidents. This ended with his attempted publication in 1921 of his masterpiece, We, a novel about a futuristic police state that controlled not only every action of its citizens, but every thought and emotion as well. The parallels between his fictional One State and the emerging totalitarianism of the Communist Party were unmistakable, and We was the first work to be banned by the Soviet censorship board. Forced to look elsewhere for an audience, Zamyatin smuggled his work out of Russia and published it in the West. As a result, he was blacklisted entirely, and hence, to remain a writer, Zamyatin was forced to leave Russia. His petition for an exit visa to Stalin was granted (some say miraculously), though he never achieved the fame or genius outside Russia he had known within it. Zamyatin died in relative obscurity in Paris in 1937, five years after the publication of Brave New World, and twelve years before Nineteen Eighty-Four, two derivative works which would cement Zamyatin's place as one of the most influential authors of all time.