This volume collects a wide-ranging sample of fresh analyses of Spider-Man. It traverses boundaries of medium, genre, epistemology and discipline in essays both insightful and passionate that move forward the study of one of the world's most beloved characters. The editors have crafted the book for fans, creators and academics alike. Foreword by Tom DeFalco, with poetry and an afterword by Gary Jackson (winner of the 2009 Cave Canem Poetry Prize).
This volume collects a wide-ranging sample of fresh analyses of Spider-Man. It traverses boundaries of medium, genre, epistemology and discipline in essays both insightful and passionate that move forward the study of one of the world's most beloved characters. The editors have crafted the book for fans, creators and academics alike. Foreword by Tom DeFalco, with poetry and an afterword by Gary Jackson (winner of the 2009 Cave Canem Poetry Prize).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert Moses Peaslee is an associate professor and chair of Journalism and Electronic Media at the College of Media and Communication at Texas Tech University. His work has been published in several journals and he is coeditor of two previous essay collections on comics. Robert G. Weiner is the popular culture librarian at Texas Tech University. His work has been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society, and is the author/editor/coeditor of numerous books related to popular culture.
Inhaltsangabe
Table of Contents Acknowledgments Foreword: My Pal Pete TOM DEFALCO Elegy for Gwen Stacy GARY JACKSON Introduction ROBERT G. WEINER and ROBERT MOSES PEASLEE I. Historical, Cultural and Pedagogical Angles Donald Glover for Spider-Man PHILLIP LAMARR CUNNINGHAM Have Great Power, Greatly Irresponsible: Intergenerational Conflict in 1960s Amazing Spider-Man PETER LEE "Continually in the Making": Spider-Man's New York MARTIN FLANAGAN Hegemonic Implications of Science in Popular Media: Science Narratives and Representations of Physics in the Spider-Man Film Trilogy LISA HOLDERMAN Teaching Peter Parker's Ghosts of Milton: Anxiety of Influence, the Trace, and Platonic Knowing in Ultimate Spider-Man Volume 1 JAMES BUCKY CARTER II. Considering Specific Graphic Novels Weaving Webs and True Lies: Revisiting Kraven's Last Hunt Through the Lens of Brooklyn Dreams DAVID WALTON The Hermeneutics of Spider-Man: What Is Peter Parker Doing in Elizabethan England? CHRISTINA C. ANGEL Strategies of Narration in Jeph Loeb and Tim Sale's Spider-Man: Blue DEREK PARKER ROYAL III. The J. Jonah Jameson Problem Spider-Man: MENACE!!! Stan Lee, Censorship and the 100-Issue Revolution AARON DRUCKER J. Jonah Jameson-Hero or Villain? Spider-Man's Nemesis Hard to Pigeonhole ANDREW A. SMITH Spider-Management: A Critical Examination of the Business World of Spider-Man MATTHEW MCGOWAN and JEREMY SHORT IV. Spider-Man and Other Sequential Art Characters Anti-Heroes: Spider-Man and the Punisher CORD A. SCOTT The Sinister Six: Anti-Villains in an Anti-Heroic Narrative RICK HUDSON Spider-Man and Batman, Disordered Minds: Friendship Through Difference PHILLIP BEVIN V. Trauma Textual and Extra-Textual The Loss of the Father: Trauma Theory and the Birth of Spider-Man FORREST C. HELVIE Artificial Mourning: The Spider-Man Trilogy and September 11th TAMA LEAVER VI. Issues of Gender in the Spider-verse Three Stories, Three Movies and the Romances of Mary Jane and Spider-Man ROBERT G. WEINER Women's Pleasures Watching Spider-Man's Journeys EMILY D. EDWARDS The Incorrigible Aunt ORA C. MCWILLIAMS Spidey Meets Freud: Central Psychoanalytic Motifs in Spider-Man and Spider-Man ROBERT MOSES PEASLEE VII. Under-Examined Spider-Texts Reinterpreting Myths in Spider-Man: The Animated Series DAVID RAY CARTER Finding the Milieu of the Spider-Man Music MARK MCDERMOTT Games Are Not Convergence: Spider-Man 3, Game Design and the Lost Promise of Digital Production and Convergence CASEY O'DONNELL Afterword GARY JACKSON About the Contributors Index
Table of Contents Acknowledgments Foreword: My Pal Pete TOM DEFALCO Elegy for Gwen Stacy GARY JACKSON Introduction ROBERT G. WEINER and ROBERT MOSES PEASLEE I. Historical, Cultural and Pedagogical Angles Donald Glover for Spider-Man PHILLIP LAMARR CUNNINGHAM Have Great Power, Greatly Irresponsible: Intergenerational Conflict in 1960s Amazing Spider-Man PETER LEE "Continually in the Making": Spider-Man's New York MARTIN FLANAGAN Hegemonic Implications of Science in Popular Media: Science Narratives and Representations of Physics in the Spider-Man Film Trilogy LISA HOLDERMAN Teaching Peter Parker's Ghosts of Milton: Anxiety of Influence, the Trace, and Platonic Knowing in Ultimate Spider-Man Volume 1 JAMES BUCKY CARTER II. Considering Specific Graphic Novels Weaving Webs and True Lies: Revisiting Kraven's Last Hunt Through the Lens of Brooklyn Dreams DAVID WALTON The Hermeneutics of Spider-Man: What Is Peter Parker Doing in Elizabethan England? CHRISTINA C. ANGEL Strategies of Narration in Jeph Loeb and Tim Sale's Spider-Man: Blue DEREK PARKER ROYAL III. The J. Jonah Jameson Problem Spider-Man: MENACE!!! Stan Lee, Censorship and the 100-Issue Revolution AARON DRUCKER J. Jonah Jameson-Hero or Villain? Spider-Man's Nemesis Hard to Pigeonhole ANDREW A. SMITH Spider-Management: A Critical Examination of the Business World of Spider-Man MATTHEW MCGOWAN and JEREMY SHORT IV. Spider-Man and Other Sequential Art Characters Anti-Heroes: Spider-Man and the Punisher CORD A. SCOTT The Sinister Six: Anti-Villains in an Anti-Heroic Narrative RICK HUDSON Spider-Man and Batman, Disordered Minds: Friendship Through Difference PHILLIP BEVIN V. Trauma Textual and Extra-Textual The Loss of the Father: Trauma Theory and the Birth of Spider-Man FORREST C. HELVIE Artificial Mourning: The Spider-Man Trilogy and September 11th TAMA LEAVER VI. Issues of Gender in the Spider-verse Three Stories, Three Movies and the Romances of Mary Jane and Spider-Man ROBERT G. WEINER Women's Pleasures Watching Spider-Man's Journeys EMILY D. EDWARDS The Incorrigible Aunt ORA C. MCWILLIAMS Spidey Meets Freud: Central Psychoanalytic Motifs in Spider-Man and Spider-Man ROBERT MOSES PEASLEE VII. Under-Examined Spider-Texts Reinterpreting Myths in Spider-Man: The Animated Series DAVID RAY CARTER Finding the Milieu of the Spider-Man Music MARK MCDERMOTT Games Are Not Convergence: Spider-Man 3, Game Design and the Lost Promise of Digital Production and Convergence CASEY O'DONNELL Afterword GARY JACKSON About the Contributors Index
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