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This work is a de-construction of the series on which is based the Op. 28 of A. Webern (g,f#,a,g#,c, db,a#, h,eb, d, f, e). I made an original interpretation, applied to music, of the famous concept (or anti-concept) of J. Derrida. In this aim, I used several procedures taken from electro acoustics and musical information. Besides, the live electronics techniques that go in parallel with the acoustical instruments are based on the ANTESCOFP program developed at IRCAM. This is conceived in such a way, that the actual performance is followed and checked step by step and a series of…mehr

Produktbeschreibung
This work is a de-construction of the series on which is based the Op. 28 of A. Webern (g,f#,a,g#,c, db,a#, h,eb, d, f, e). I made an original interpretation, applied to music, of the famous concept (or anti-concept) of J. Derrida. In this aim, I used several procedures taken from electro acoustics and musical information. Besides, the live electronics techniques that go in parallel with the acoustical instruments are based on the ANTESCOFP program developed at IRCAM. This is conceived in such a way, that the actual performance is followed and checked step by step and a series of transformations of the instrumental sounds are decided in accordance with what is found (by the program) during this live performance.
Autorenporträt
Fred Popovici (27 July 1948 ¿) is a Romanian composer, writing mainly for orchestra.He was born in Br¿ila, Romania, and studied at the Bucharest Academy of Music. Since his graduation in 1972, he has been a teacher and lecturer as well as having his works performed extensively both at home and abroad.