Weird Al - Hirsch, Lily E.
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From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, "Weird Al" Yankovic has made a career out of making us laugh. Funny music is often dismissed as light and irrelevant, but Yankovic's fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on…mehr

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Produktbeschreibung
From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, "Weird Al" Yankovic has made a career out of making us laugh. Funny music is often dismissed as light and irrelevant, but Yankovic's fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music's complicated romance. She reveals that Yankovic's jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes. Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic's forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
Autorenporträt
Lily E. Hirsch earned her Ph.D. in musicology from Duke University. Her past books include A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League (University of Michigan Press in 2010), Music in American Crime Prevention and Punishment (University of Michigan Press in 2012), Anneliese Landau's Life in Music: Nazi Germany to Émigré California (Eastman Studies in Music in 2019), and, as co-editor, Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press in 2014), winner of the American Musicological Society's Ruth A. Solie Award.