Literary artists such T.S. Eliot, James Joyce, and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows casts by these modernists were science fiction, horror, and fantasy writers like the â Weird Tales Threeâ : H.P. Lovecraft, Clark Ashton Smith, and Robert E. Howard.
Literary artists such T.S. Eliot, James Joyce, and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows casts by these modernists were science fiction, horror, and fantasy writers like the â Weird Tales Threeâ : H.P. Lovecraft, Clark Ashton Smith, and Robert E. Howard.
Jason Ray Carney is a lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the "Pulp Studies" section of the Popular Culture Association.
Inhaltsangabe
Table of Contents Acknowledgments Preface 1. Introduction 2. Pulp Ekphrasis, History, and Deformation 3. A Real Weird Magazine 4. Clark Ashton Smith and Artistic Form 5. The Failure of Clark Ashton Smith 6. The Cultural Alienation of Robert E. Howard 7. Robert E. Howard and Rendering the Real and the Unreal 8. Cthulhu Is Beautiful 9. Lovecraft and the Threat of Modernism 10. Conclusion: Form and Formlessness Works Cited Index
Table of Contents Acknowledgments Preface 1. Introduction 2. Pulp Ekphrasis, History, and Deformation 3. A Real Weird Magazine 4. Clark Ashton Smith and Artistic Form 5. The Failure of Clark Ashton Smith 6. The Cultural Alienation of Robert E. Howard 7. Robert E. Howard and Rendering the Real and the Unreal 8. Cthulhu Is Beautiful 9. Lovecraft and the Threat of Modernism 10. Conclusion: Form and Formlessness Works Cited Index
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