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Militärische Siegesparaden sind politische Inszenierungen, in denen abstrakte Ideen wie Staat oder Nation verkörpert werden. Am Beispiel amerikanischer Paraden in der ersten Hälfte des 20. Jahrhunderts nimmt Sebastian Jobs die beteiligten Akteure und deren Rollen in den Blick. So analysiert er das von zivilen und militärischen Organisatoren vorgesehene Protokoll, aber auch, wie Soldaten und Zuschauerdiese Regeln durch undiszipliniertes Winken oder Lachen durchbrachen und sich die Straße aneigneten. Paraden waren eben nicht nur staatstragende Rituale, sondern auch emotionale Spektakel und damit populärkulturelle Unterhaltung.…mehr
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Militärische Siegesparaden sind politische Inszenierungen, in denen abstrakte Ideen wie Staat oder Nation verkörpert werden. Am Beispiel amerikanischer Paraden in der ersten Hälfte des 20. Jahrhunderts nimmt Sebastian Jobs die beteiligten Akteure und deren Rollen in den Blick. So analysiert er das von zivilen und militärischen Organisatoren vorgesehene Protokoll, aber auch, wie Soldaten und Zuschauerdiese Regeln durch undiszipliniertes Winken oder Lachen durchbrachen und sich die Straße aneigneten. Paraden waren eben nicht nur staatstragende Rituale, sondern auch emotionale Spektakel und damit populärkulturelle Unterhaltung.
Produktdetails
- Produktdetails
- Geschichte und Geschlechter
- Verlag: Campus Verlag
- Artikelnr. des Verlages: 39745
- Seitenzahl: 276
- Erscheinungstermin: Oktober 2012
- Englisch
- Abmessung: 209mm x 138mm x 20mm
- Gewicht: 362g
- ISBN-13: 9783593397450
- ISBN-10: 3593397455
- Artikelnr.: 35712583
- Geschichte und Geschlechter
- Verlag: Campus Verlag
- Artikelnr. des Verlages: 39745
- Seitenzahl: 276
- Erscheinungstermin: Oktober 2012
- Englisch
- Abmessung: 209mm x 138mm x 20mm
- Gewicht: 362g
- ISBN-13: 9783593397450
- ISBN-10: 3593397455
- Artikelnr.: 35712583
Sebastian Jobs, Dr. phil., ist zurzeit wissenschaftlicher Mitarbeiter am Graduiertenkolleg "Kulturkontakt und Wissenschaftsdiskurs" an der Universität Rostock.
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Contents
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
Introduction............................................................................................................ 7
1 Performative Preliminaries ........................................................................... 14
1.1 Public Celebrations in Recent Historiography ...................................15
1.2 Identity in Question: Text or Performance? .......................................21
1.3 Performances: Actors, Interpretations, and Materiality ....................33
2 Case Study: the 'Harlem Hellfighters' on Parade (February 1919) .................................................................................41
3 Setting the Stage: the Organizers of Parades.............................................73
3.1 Military Prep Work ................................................................................. 74
3.2 Civic Prep Work ...................................................................................... 85
3.3 Getting Excited in the Press ................................................................100
4 On Stage: America's Conquering Heroes ................................................114
4.1 The Strong Heroes ................................................................................116
4.2 Machines of War: 'Promises' of an Awe-some Modernity? ...........141
4.3 "One-legged Pals"-Wounded Soldiers in the Parade ...................149
4.4 "Flags, Handkerchiefs and Tears"-Dead Soldiers.........................161
4.5 Beyond Perfect Discipline and Americanism ...................................169
5 Masses, Power, Excess: Mere Spectators? ...............................................188
5.1 Being Part of a 'Sensory' Spectacle.....................................................190
5.2 An 'Ideological' Spectacle ....................................................................201
5.3 Excess, Transgression and Deviant Behavior...................................206
5.4 Following the Parade Routine? ...........................................................214
5.5 Holding on to the Parade After the Curtain's Down ......................222
6 WELCOME HOME , BOYS !
Conclusions.........................................................................................................237
Acknowledgments .............................................................................................246
Works Cited ........................................................................................................248
Illustrations .........................................................................................................273
Index ....................................................................................................................274
"Der Autor wirft einen neuen Blick auf ein altes Phänomen, indem er den performativen Charakter der Paraden zum Gegenstand seiner Untersuchung macht. Durch einen innovativen Ansatz und die ausführliche Analyse eines klar umgrenzten Untersuchungsgegenstandes stellt die Arbeit einen spannenden Beitrag zur Geschichte von Militärparaden dar.", H-Soz-u-Kult, 24.05.2013"Der Autor wirft einen neuen Blick auf ein altes Phänomen, indem er den performativen Charakter der Paraden zum Gegenstand seiner Untersuchung macht. Durch einen innovativen Ansatz und die ausführliche Analyse eines klar umgrenzten Untersuchungsgegenstandes stellt die Arbeit einen spannenden Beitrag zur Geschichte von Militärparaden dar.", H-Soz-u-Kult, 24.05.2013