Western Conducting Practices in Twenty First Century Southern Nigeria - Ossaiga, Udoka
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The book discusses Western conducting practices, the evolution of conducting concepts, and the theory of conducting dynamism. Western conducting evolves stringent conducting practices when applied to Western art music through the application of strict conducting patterns and convention in tandem with Western classicism. Western conducting produces syncretic conducting when applied to African art music through the adoption of African and Western music idioms in performative syncretism. Western conducting interacts with gospel music and evolves synthetic conducting through the adoption of idioms…mehr

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Produktbeschreibung
The book discusses Western conducting practices, the evolution of conducting concepts, and the theory of conducting dynamism. Western conducting evolves stringent conducting practices when applied to Western art music through the application of strict conducting patterns and convention in tandem with Western classicism. Western conducting produces syncretic conducting when applied to African art music through the adoption of African and Western music idioms in performative syncretism. Western conducting interacts with gospel music and evolves synthetic conducting through the adoption of idioms from assorted music cultures: Popular, African and Western. The theory of conducting dynamism explains the interception of conducting practices, and concepts in conducting transmutations in tandem with different music cultures, music contexts, music compositions; and music conductors. The book challenges conducting conventions, recommends the upgrade of conducting concepts, materials and methods, techniques, objectives and education in line with the emerging conducting practices in twenty first century Southern Nigeria and beyond.
Autorenporträt
Dr Udoka Peace Ossaiga is a Nigerian conductor, conducting theorist, sacred, performative, African musicologist, and cross-cultural music scholar. He holds a Doctor of Philosophy and a Master of Arts degrees in Music with emphasis on Performance Studies (Conducting and Directing). His conducting concepts are shaping conducting research in Nigeria.