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Using the framework of Edward Saidâ s Orientalism, this work examines how Western rock and pop artistsâ particularly during the age of album rock from the 1970s through the 1990sâ perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.

Produktbeschreibung
Using the framework of Edward Saidâ s Orientalism, this work examines how Western rock and pop artistsâ particularly during the age of album rock from the 1970s through the 1990sâ perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.
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Autorenporträt
By Christopher T. Keaveney