"A major contribution to translation and adaptation studies as well as to our understanding of East Asian culture and literature"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Leo Tak-hung Chan is Junwu Distinguished Professor at Guangxi University, China. His other scholarly books include Readers, Reading and Reception of Translated Fiction in Chinese (2010), Twentieth-Century Chinese Translation Theory: Modes, Issues and Debates (2004), and One into Many: Translation and the Dissemination of Classical Chinese Literature (2003).
Inhaltsangabe
Introduction 1.The Transtextual Triad, Similar but Not the Same Part 1 2. Freely Rendered: Aesop's Fables in Nineteenth-century China 3. A Higher Loyalty? The (Ab)uses of Aesthetic Theories of Translation Part 2 4. Adaptation Studies through a Translation Lens 5. Accommodation and Adaptation-The Case of East Asia 6. Boys over Flowers: Localization in a Web of (Re)adaptations Part 3 7. The Vicissitudes of Imitatio, Historically 8. "New Wine in Old Bottles": Two Sino-Japanese Traditions of Imitation 9. Receptive Transcreation: Simulating James Joyce's Narrative Style 10. The Aggregate Monkey: Parody and Pastiche in Japanese Manga Conclusion Acknowledgments Bibliography Index
Introduction 1.The Transtextual Triad, Similar but Not the Same Part 1 2. Freely Rendered: Aesop's Fables in Nineteenth-century China 3. A Higher Loyalty? The (Ab)uses of Aesthetic Theories of Translation Part 2 4. Adaptation Studies through a Translation Lens 5. Accommodation and Adaptation-The Case of East Asia 6. Boys over Flowers: Localization in a Web of (Re)adaptations Part 3 7. The Vicissitudes of Imitatio, Historically 8. "New Wine in Old Bottles": Two Sino-Japanese Traditions of Imitation 9. Receptive Transcreation: Simulating James Joyce's Narrative Style 10. The Aggregate Monkey: Parody and Pastiche in Japanese Manga Conclusion Acknowledgments Bibliography Index
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