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Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver's Travels, Frankenstein and Moby-Dick and explores how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists.

Produktbeschreibung
Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver's Travels, Frankenstein and Moby-Dick and explores how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists.
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Autorenporträt
Philip Armstrong teaches at the University of Canterbury, Aotearoa, where he is Co-Director of the New Zealand Centre for Human-Animal Studies.
Rezensionen
"Remarkable depth and breadth in its engagement with critical discussions of animals in modern fiction".

- Susan McHugh in Society & Animals 17.4 (2009): 363-7

"An essential book for anyone involved in Animal Studies and everyone concerned with animals in literature".

- Marion Copeland in Humanimalia 1.1 (September 2009)

"A magisterial reading of Moby-Dick appears in What Animals Mean in the Fiction of Modernity alongside compelling studies of Gulliver's Travels, Robinson Crusoe, Frankenstein, a host of twentieth-century novels, and critical analyses of Wells and Lawrence ...".

- Robert McKay in The Minnesota Review issue 73-4 (2010)

"Remarkable depth and breadth in its engagement with critical discussions of animals in modern fiction".

- Susan McHugh in Society & Animals 17.4 (2009): 363-7

"An essential book for anyone involved in Animal Studies and everyone concerned with animals in literature".

- Marion Copeland in Humanimalia 1.1 (September 2009)

"A magisterial reading of Moby-Dick appears in What Animals Mean in the Fiction of Modernity alongside compelling studies of Gulliver's Travels, Robinson Crusoe, Frankenstein, a host of twentieth-century novels, and critical analyses of Wells and Lawrence ...".

- Robert McKay in The Minnesota Review issue 73-4 (2010)