Madina Tlostanova traces how contemporary post-Soviet art mediates the post-Soviet human condition through analyses of art and through interviews with artists and writers, showing the important role that radical art plays in building new modes of thought and a decolonial future.
Madina Tlostanova traces how contemporary post-Soviet art mediates the post-Soviet human condition through analyses of art and through interviews with artists and writers, showing the important role that radical art plays in building new modes of thought and a decolonial future.
Madina Tlostanova is Professor of Postcolonial Feminisms at Linköping University, Sweden, and the author of several books, most recently, Postcolonialism and Postsocialism in Fiction and Art: Resistance and Re-existence.
Inhaltsangabe
Acknowledgments vii Introduction. A Futureless Ontology? 1 1. The Decolonial Sublime 25 2. Decolonial Aesthesis and Post-Soviet Art 33 3. A Woman Who Has Many Selves and Takes Over Many Spaces: A Conversation with Liina Siib 65 4. Beyond Dependencies: A Talk with Vyacheslav Akhunov, the Lonely Ranger of Uzbeck Contemporary Art 84 5. Reflecting on Time, Space, and Memory with Afanassy Mamedov 106 Conclusion. People Are Silent . . . 119 Notes 129 References 135 Index 141
Acknowledgments vii Introduction. A Futureless Ontology? 1 1. The Decolonial Sublime 25 2. Decolonial Aesthesis and Post-Soviet Art 33 3. A Woman Who Has Many Selves and Takes Over Many Spaces: A Conversation with Liina Siib 65 4. Beyond Dependencies: A Talk with Vyacheslav Akhunov, the Lonely Ranger of Uzbeck Contemporary Art 84 5. Reflecting on Time, Space, and Memory with Afanassy Mamedov 106 Conclusion. People Are Silent . . . 119 Notes 129 References 135 Index 141
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