This collection of essays from G.K. Chesterton includes the following works: What is America? A Meditation in a New York Hotel, A Meditation in Broadway, Irish and Other Interviewers, Some American cities, The spirit of England, The future of democracy, and many others. Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be…mehr
This collection of essays from G.K. Chesterton includes the following works: What is America? A Meditation in a New York Hotel, A Meditation in Broadway, Irish and Other Interviewers, Some American cities, The spirit of England, The future of democracy, and many others. Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny. The reaction of his senses and superficial habits of mind against something new, and to him abnormal, is a perfectly healthy reaction. But the mind which imagines that mere unfamiliarity can possibly prove anything about inferiority is a very inadequate mind. It is inadequate even in criticising things that may really be inferior to the things involved here. It is far better to laugh at a negro for having a black face than to sneer at him for having a sloping skull. It is proportionally even more preferable to laugh rather than judge in dealing with highly civilised peoples. Therefore I put at the beginning two working examples of what I felt about America before I saw it; the sort of thing that a man has a right to enjoy as a joke, and the sort of thing he has a duty to understand and respect, because it is the explanation of the joke.
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
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