Characters: 4 male 2 femaleFull Length Farce Interior Set Dr. Prentice a psychiatric doctor in an exclusive private clinic is attempting to interview (and seduce) an attractive would-be secretary Geraldine. Unwttingly surprised by his wife he hides the girl. The affairs multiply as Mrs. Prentice being seduced and blackmailed by young bellhop Nicholas Beckett has promised him the secretarial post. When a government inspector arrives chaos underpants and cross-dressing lead
Characters: 4 male 2 femaleFull Length Farce Interior Set Dr. Prentice a psychiatric doctor in an exclusive private clinic is attempting to interview (and seduce) an attractive would-be secretary Geraldine. Unwttingly surprised by his wife he hides the girl. The affairs multiply as Mrs. Prentice being seduced and blackmailed by young bellhop Nicholas Beckett has promised him the secretarial post. When a government inspector arrives chaos underpants and cross-dressing leadHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joe Orton (1933-1967) was an English playwright noted for his black comedies, which combine genteel dialogue with violent and shocking action. Orton left home at 16 to train as an actor. His subversive style of humour first revealed itself in a bizarre incident in 1962, when he and his lover, Kenneth Halliwell were jailed for defacing library books. The two had carefully removed jacket blurbs from middle-brow novels and substituted their own, mostly scatological, counterfeits. Orton delighted in shocking audiences by breaking taboos surrounding sexuality and death in conventionally structured 'black' farces involving epigrammatic dialogue and frenetic, convoluted plots. Thus, in Entertaining Mr Sloane (1964), a young lodger attempts to lure a woman and her brother into providing him with all he needs, only to find he has become each one's sexual plaything; Loot (1965) is a parody of a detective story involving much comic business with a coffin and a corpse; and What the Butler Saw (1969) stylishly turns farce on its head. Orton was a homosexual in a period before the liberalization of British law, and this side of his life is described in detail in his posthumously published diaries. He was battered to death by Halliwell (who subsequently committed suicide) during a domestic argument at their home in Islington, North London.
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