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If Johnson believed that objects held primacy over language, why did he compose his dictionary following the arbitrary rule of alphabetical order? If (to contradict Wiitgenstein) poems are engaged in the language-game of giving information, how should that information be arranged? If Blake had, when he heard ringing in the trees, picked up the phone, what information would the things have sung to him? If Heraclitus had not been struck with his own lightning, would he be less fragmented to us now? This sequence of poems presents a number of possible and less possible answers to these questions. But more questions arise on the way.…mehr

Produktbeschreibung
If Johnson believed that objects held primacy over language, why did he compose his dictionary following the arbitrary rule of alphabetical order? If (to contradict Wiitgenstein) poems are engaged in the language-game of giving information, how should that information be arranged? If Blake had, when he heard ringing in the trees, picked up the phone, what information would the things have sung to him? If Heraclitus had not been struck with his own lightning, would he be less fragmented to us now? This sequence of poems presents a number of possible and less possible answers to these questions. But more questions arise on the way.
Autorenporträt
GILES GOODLAND has been an editor and researcher for the Oxford English Dictionary and is a writer of poetry. His books include A Spy in the House of Years, The Masses and The Dumb Messengers. He has also written widely on aspects of the English language. He lives in London and lectures for Oxford University.