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In the opening Lighthouses section the west coast of Ireland is recast as a kind of Burroughsian Land of the Dead, with the ghost-lights from defunct lighthouses mixing with those of the automated in a sequence that slowly allows itself to be decoded. Ned Kelly, given his own requiem, is found morphing in and out of a lupine-self following the destruction of the last wolf in Ireland and a period which saw the mass-banishment of many of the country's underclasses to the new British antipodean colonies. Other poems are suggestive of a bestiary, presenting various animals that have been damaged…mehr

Produktbeschreibung
In the opening Lighthouses section the west coast of Ireland is recast as a kind of Burroughsian Land of the Dead, with the ghost-lights from defunct lighthouses mixing with those of the automated in a sequence that slowly allows itself to be decoded. Ned Kelly, given his own requiem, is found morphing in and out of a lupine-self following the destruction of the last wolf in Ireland and a period which saw the mass-banishment of many of the country's underclasses to the new British antipodean colonies. Other poems are suggestive of a bestiary, presenting various animals that have been damaged and reformed by their current environment. A number of contemporary Irish artists are used as a sounding board, the poems following them, Alice-like, down their various rabbit-holes. Thrown into all of this mix are cameos from Harpo Marx and Mr. Punch, as well as opera-singing Alsatians.
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Autorenporträt
This is Daragh Breen's third collection from Shearsman Books, preceded by Nostoc and What the Wolf Heard. His poetry has appeared in journals such as Blackbox Manifold, Tears in the Fence, Long Poem Magazine, Molly Bloom and The Fortnightly Review. He lives in Cork, Ireland.