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What We Made presents a series of fifteen conversations in which contemporary artists who create activist, participatory work discuss the cooperative process. Colleagues from fields including architecture, art history, urban planning, and new media join the conversations.
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What We Made presents a series of fifteen conversations in which contemporary artists who create activist, participatory work discuss the cooperative process. Colleagues from fields including architecture, art history, urban planning, and new media join the conversations.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 416
- Erscheinungstermin: 15. Januar 2013
- Englisch
- Abmessung: 236mm x 154mm x 27mm
- Gewicht: 560g
- ISBN-13: 9780822352891
- ISBN-10: 0822352893
- Artikelnr.: 35685018
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Duke University Press
- Seitenzahl: 416
- Erscheinungstermin: 15. Januar 2013
- Englisch
- Abmessung: 236mm x 154mm x 27mm
- Gewicht: 560g
- ISBN-13: 9780822352891
- ISBN-10: 0822352893
- Artikelnr.: 35685018
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Tom Finkelpearl is Executive Director of the Queens Museum of Art. He is the author of Dialogues in Public Art.
Preface ix
1. Introduction
The Art of Social Cooperation: An American Framework 1
2. Cooperation Goes Public
Consequences of a Gesture and 100 Victoria/10,000 Tears 51
Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz,
philosophy professor
Chicago Urban Ecology Action Group 76
Follow-Up Interview: Naomi Beckwith, participant
3. Museum, Education, Cooperation
Memory of Surfaces 90
Interview: Ernesto Pujol, artist, and David Henry, museum educator
4. Overview
Temporary Coaltions, Mobilized Communities, and Dialogue as Art 114
Interview: Grant Kester, art historian
5. Social Vision and a Cooperative Community
Project Row Houses 132
Interview: Rick Lowe, artist, and Mark Stern, professor of social history
and urban studies
6. Participation, Planning, and a Cooperative Film
Blot Out the Sun 152
Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban
studies and planning
Ride Out the Sun 174
Follow-up Interview: Jay Dykeman, collaborator
7. Education Art
Catedra Arte del Conducta 179
Interview: Tania Bruguera, artist
Catedra de Conducta
Follow-up Interview: Claire Bishop, art historian
8. A Political Alphabet 219
Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist
9. Crossing Borders
Transnational Community-Based Production, Cooperative Art, and Informal
Trade Networks 240
Interview: Pedro Lasch, artist, and Teddy Cruz, architect
10. Spirituality and Cooperation
Unburning Freedom Hall and The Packer School Project 269
Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist
The Seer Project 301
Interview: Lee Mingwei, artist
11. Interactive Internet Communication
White Glove Tracking 313
Interview: Evan Roth, artist
White Glove Tracking 335
Follow-up Interview: Jonah Peretti, contagious media pioneer
Conclusion: Pragmatism and Social Cooperation 343
Notes 363
Bibliography 373
Index 381
1. Introduction
The Art of Social Cooperation: An American Framework 1
2. Cooperation Goes Public
Consequences of a Gesture and 100 Victoria/10,000 Tears 51
Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz,
philosophy professor
Chicago Urban Ecology Action Group 76
Follow-Up Interview: Naomi Beckwith, participant
3. Museum, Education, Cooperation
Memory of Surfaces 90
Interview: Ernesto Pujol, artist, and David Henry, museum educator
4. Overview
Temporary Coaltions, Mobilized Communities, and Dialogue as Art 114
Interview: Grant Kester, art historian
5. Social Vision and a Cooperative Community
Project Row Houses 132
Interview: Rick Lowe, artist, and Mark Stern, professor of social history
and urban studies
6. Participation, Planning, and a Cooperative Film
Blot Out the Sun 152
Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban
studies and planning
Ride Out the Sun 174
Follow-up Interview: Jay Dykeman, collaborator
7. Education Art
Catedra Arte del Conducta 179
Interview: Tania Bruguera, artist
Catedra de Conducta
Follow-up Interview: Claire Bishop, art historian
8. A Political Alphabet 219
Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist
9. Crossing Borders
Transnational Community-Based Production, Cooperative Art, and Informal
Trade Networks 240
Interview: Pedro Lasch, artist, and Teddy Cruz, architect
10. Spirituality and Cooperation
Unburning Freedom Hall and The Packer School Project 269
Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist
The Seer Project 301
Interview: Lee Mingwei, artist
11. Interactive Internet Communication
White Glove Tracking 313
Interview: Evan Roth, artist
White Glove Tracking 335
Follow-up Interview: Jonah Peretti, contagious media pioneer
Conclusion: Pragmatism and Social Cooperation 343
Notes 363
Bibliography 373
Index 381
Preface ix
1. Introduction
The Art of Social Cooperation: An American Framework 1
2. Cooperation Goes Public
Consequences of a Gesture and 100 Victoria/10,000 Tears 51
Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz,
philosophy professor
Chicago Urban Ecology Action Group 76
Follow-Up Interview: Naomi Beckwith, participant
3. Museum, Education, Cooperation
Memory of Surfaces 90
Interview: Ernesto Pujol, artist, and David Henry, museum educator
4. Overview
Temporary Coaltions, Mobilized Communities, and Dialogue as Art 114
Interview: Grant Kester, art historian
5. Social Vision and a Cooperative Community
Project Row Houses 132
Interview: Rick Lowe, artist, and Mark Stern, professor of social history
and urban studies
6. Participation, Planning, and a Cooperative Film
Blot Out the Sun 152
Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban
studies and planning
Ride Out the Sun 174
Follow-up Interview: Jay Dykeman, collaborator
7. Education Art
Catedra Arte del Conducta 179
Interview: Tania Bruguera, artist
Catedra de Conducta
Follow-up Interview: Claire Bishop, art historian
8. A Political Alphabet 219
Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist
9. Crossing Borders
Transnational Community-Based Production, Cooperative Art, and Informal
Trade Networks 240
Interview: Pedro Lasch, artist, and Teddy Cruz, architect
10. Spirituality and Cooperation
Unburning Freedom Hall and The Packer School Project 269
Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist
The Seer Project 301
Interview: Lee Mingwei, artist
11. Interactive Internet Communication
White Glove Tracking 313
Interview: Evan Roth, artist
White Glove Tracking 335
Follow-up Interview: Jonah Peretti, contagious media pioneer
Conclusion: Pragmatism and Social Cooperation 343
Notes 363
Bibliography 373
Index 381
1. Introduction
The Art of Social Cooperation: An American Framework 1
2. Cooperation Goes Public
Consequences of a Gesture and 100 Victoria/10,000 Tears 51
Interview: Daniel Joseph Martinez, artist, and Gregg M. Horowitz,
philosophy professor
Chicago Urban Ecology Action Group 76
Follow-Up Interview: Naomi Beckwith, participant
3. Museum, Education, Cooperation
Memory of Surfaces 90
Interview: Ernesto Pujol, artist, and David Henry, museum educator
4. Overview
Temporary Coaltions, Mobilized Communities, and Dialogue as Art 114
Interview: Grant Kester, art historian
5. Social Vision and a Cooperative Community
Project Row Houses 132
Interview: Rick Lowe, artist, and Mark Stern, professor of social history
and urban studies
6. Participation, Planning, and a Cooperative Film
Blot Out the Sun 152
Interview: Harrell Fletcher, artist, and Ethan Seltzer, professor of urban
studies and planning
Ride Out the Sun 174
Follow-up Interview: Jay Dykeman, collaborator
7. Education Art
Catedra Arte del Conducta 179
Interview: Tania Bruguera, artist
Catedra de Conducta
Follow-up Interview: Claire Bishop, art historian
8. A Political Alphabet 219
Interview: Wendy Ewald, artist, and Sondra Farganis, political scientist
9. Crossing Borders
Transnational Community-Based Production, Cooperative Art, and Informal
Trade Networks 240
Interview: Pedro Lasch, artist, and Teddy Cruz, architect
10. Spirituality and Cooperation
Unburning Freedom Hall and The Packer School Project 269
Interview: Brett Cook, artist, and Mierle Laderman Ukeles, artist
The Seer Project 301
Interview: Lee Mingwei, artist
11. Interactive Internet Communication
White Glove Tracking 313
Interview: Evan Roth, artist
White Glove Tracking 335
Follow-up Interview: Jonah Peretti, contagious media pioneer
Conclusion: Pragmatism and Social Cooperation 343
Notes 363
Bibliography 373
Index 381