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"What's Left to Learn, part mystery part romance, renders the story of a former academic turned vintage car expert in pursuit of a manipulative, philandering photographer who disappeared nineteen years ago... Self-consciously witty, drawn to women who are both covert and beautiful, and driven by a primal need to understand the world's dark secrets, Michael Drayton finds himself attracted to an intelligent if cautious woman whose emotional wounds seem linked to the missing photographer. The protagonist grows increasingly urgent in his search for the photographer. A valuable, bullet-strewn car…mehr

Produktbeschreibung
"What's Left to Learn, part mystery part romance, renders the story of a former academic turned vintage car expert in pursuit of a manipulative, philandering photographer who disappeared nineteen years ago... Self-consciously witty, drawn to women who are both covert and beautiful, and driven by a primal need to understand the world's dark secrets, Michael Drayton finds himself attracted to an intelligent if cautious woman whose emotional wounds seem linked to the missing photographer. The protagonist grows increasingly urgent in his search for the photographer. A valuable, bullet-strewn car with artistic photos in the glove box, photos that will surely embarrass their subjects, compels the protagonist to discover what happened to the car's long-gone owner... The protagonist is not only compelled to solve what turns out to be multiple mysteries revolving around the talented if ethically challenged photographer; he discovers insights into his own understanding of heterosexual relationships as well as changing notions about ideal beauty and even the deepest components of attraction."--Amazon.com.
Autorenporträt
AL LANDWEHR has published short stories in slicks and literary journals such as Redbook, New Letters, The Laurel Review, Negative Capability, The Chariton Review, and many others. His work has been nominated for the Pushcart Prize, and he's taught fiction writing classes at the university level while director of the creative writing program at Cal Poly.