A structured perspective on the crucial interface of Director and Screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a Director needs to understand before embarking on all other facets of the Director's craft.
A structured perspective on the crucial interface of Director and Screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a Director needs to understand before embarking on all other facets of the Director's craft.
Peter Markham is a creative consultant, teacher, author, and former directing head at the American Film Institute Conservatory. His alumni, award winners at major festivals, have notable careers in film and TV. Prior to teaching, he was a director in the UK, and worked with filmmakers including Anthony Minghella and Martin Scorsese.
Inhaltsangabe
Acknowledgments Introduction PART A - The Approach 1 What's the Story? 2 Premise 3 Theme 4 Genre 5 World/Setting 6 Cultural, Social, and Moral Canvas 7 Tone 8 Structure 9 Passage of Time 10 Character 11 Narrative Point of View 12 Introduction of the Protagonist and Main Characters 13 Key Images 14 Opening Image, Frame, Shot 15 Closing Image, Frame, Shot 16 Endings 17 The 5-Step Creative Analysis of the Screenplay 17.1 A brief summary of the scene 17.2 The journey of the protagonist 17.3 The journey of the audience 17.4 The turning point of the scene 17.5 the function of the scene 18 The Director's Statement PART B - The Case Study - CONTRAPELO Screenplay by Liska Ostojic and Gareth Dunnet-Alcocer 19 Screenplay 20 CONTRAPELO Case Study 21 CONCLUSION Index
Acknowledgments Introduction PART A - The Approach 1 What's the Story? 2 Premise 3 Theme 4 Genre 5 World/Setting 6 Cultural, Social, and Moral Canvas 7 Tone 8 Structure 9 Passage of Time 10 Character 11 Narrative Point of View 12 Introduction of the Protagonist and Main Characters 13 Key Images 14 Opening Image, Frame, Shot 15 Closing Image, Frame, Shot 16 Endings 17 The 5-Step Creative Analysis of the Screenplay 17.1 A brief summary of the scene 17.2 The journey of the protagonist 17.3 The journey of the audience 17.4 The turning point of the scene 17.5 the function of the scene 18 The Director's Statement PART B - The Case Study - CONTRAPELO Screenplay by Liska Ostojic and Gareth Dunnet-Alcocer 19 Screenplay 20 CONTRAPELO Case Study 21 CONCLUSION Index
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