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What's Wrong With The World By G. K. Chesterton Renewal of interest in the work of GK Chesterton continues apace. The writer whose career began when he dictated his first story to his aunt Rose at the age of three started early and aimed high, and his intellectual development was among the more conspicuously interesting of the Edwardian age. His Orthodoxy of 1908 has become a sort of touchstone text during the present vogue for philosophical theology, much cited by the likes of Slavoj Zizek and the radical theologian John Milbank, while oddball novels such as The Napoleon of Notting Hill…mehr

Produktbeschreibung
What's Wrong With The World By G. K. Chesterton Renewal of interest in the work of GK Chesterton continues apace. The writer whose career began when he dictated his first story to his aunt Rose at the age of three started early and aimed high, and his intellectual development was among the more conspicuously interesting of the Edwardian age. His Orthodoxy of 1908 has become a sort of touchstone text during the present vogue for philosophical theology, much cited by the likes of Slavoj Zizek and the radical theologian John Milbank, while oddball novels such as The Napoleon of Notting Hill (1904) and The Man Who Was Thursday (1908) retain the power to entertain and bemuse in equal measure.This year, however, sees the centenary of one of his rather less high-profile publications. What's Wrong with the World represents an extrapolation of Chesterton's original response to a query posed in so many words by the Times to a selection of eminent writers and thinkers of the day. "Dear Sirs," ran GK's succinct rejoinder, "I am". The publication of the book suggested that, on reflection, there might have been more to say on the subject.The Chesterton offered us by his latter-day biographers and critics is a lost proto-radical, if we could but make him out as such. Along with his close friend Hilaire Belloc, he was the proponent of a species of Third Way politics avant la lettre, a plague-on-both-your-houses confutation of capitalism and socialism known as distributism. Drastically simplified, the vision was of an atomised entrepreneurialism in which as many individuals as possible pursued the goal of profit, so as to wrest capital accumulation from both a few vastly powerful interests (such as "Jewish banking families") and a monolithic socialist state.What's Wrong with the World opens with an analysis of the predicament of modern humanity, too obsessed in the great age of political idealism with visions of the future. Has the Enlightenment ideal of continual social progress been a reality, or has it all been a piece of western myth-making? "Are we still strong enough to spear mammoths, but now tender enough to spare them?" he wonders. But then again, "Does the cosmos contain any mammoth that we have either speared or spared?"What it does contain is the wreckage of half-realised ideals.
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Autorenporträt
G.K.Chesterton, in full Gilbert Keith Chesterton (29 May 1874-14 June 1936), English critic and author of poetry, essays, novels, and short stories, known also for his dynamic personality and obese figure. He was an important English writer of the early twentieth century. His productive and various output included journalism, poetry, biography, Christian apologetics, fantasy and detective fiction. He has been concerned to as the 'prince of paradox'. He devoted his extraordinary brain and creative power to the reform of English government and society. He was knowledgeable at St. Paul's, and went to art school at University College London. He wrote 100 books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some short stories, including a popular series featuring the priest-detective, Father Brown. Chesterton expired on 14 June 1936 at his home in Beaconsfield, Buckinghamshire.