Andere Kunden interessierten sich auch für
![Die Veränderungen der Sicherheitsbestimmungen bei der Einreise in die Vereinigten Staaten von Amerika als Folge des 11. September 2001]( "Die Veränderungen der Sicherheitsbestimmungen bei der Einreise in die Vereinigten Staaten von Amerika als Folge des 11. September 2001")
Die Veränderungen der Sicherheitsbestimmungen bei der Einreise in die Vereinigten Staaten von Amerika als Folge des 11. September 200127,95 €![Post-9/11 Anglophone Arab Fiction. A Dialogue Between the West and the Arab World]( "Post-9/11 Anglophone Arab Fiction. A Dialogue Between the West and the Arab World")
Post-9/11 Anglophone Arab Fiction. A Dialogue Between the West and the Arab World47,95 €![Die Erica-America-Analogie in Mohsin Hamids 'The Reluctant Fundamentalist']( "Die Erica-America-Analogie in Mohsin Hamids 'The Reluctant Fundamentalist'")
Die Erica-America-Analogie in Mohsin Hamids 'The Reluctant Fundamentalist'18,95 €![Lessons from the East]( "Lessons from the East")
Lessons from the East76,30 €![The Problematics of Writing Back to the Imperial Centre]( "The Problematics of Writing Back to the Imperial Centre")
The Problematics of Writing Back to the Imperial Centre94,30 €![The Margin Without Centre]( "The Margin Without Centre")
The Margin Without Centre64,80 €![Signatures of the Past]( "Signatures of the Past")
Signatures of the Past66,15 €
9/11 has found its way into fictional literature. This study analyses the treatment of 9/11 in Anglophone narratives differentiating between two perspectives: narratives dealing with the attacks from the victims' perspective and narratives from the terrorists' point of view offering new attempts at understanding. The underlying hypothesis is that decline is the central element in all the narratives discussed both on the story and discourse level. The «victim narratives» are provided by works by Jonathan Safran Foer, Nick McDonell, Lynne Sharon Schwartz, Ian McEwan, Frédéric Beigbeder and Art Spiegelman. Works by Martin Amis, John Updike, Mohsin Hamid and Pat Forde are analysed as «terrorist narratives». Don DeLillo's novel Falling Man serves as a bridge between both perspectives.