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'Takes your breath away' The Times For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, ?nding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life -…mehr

Produktbeschreibung
'Takes your breath away' The Times For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, ?nding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life - until the unthinkable happens. 'Painfully beautiful . . . At once a murder mystery, a coming-of-age narrative and a celebration of nature' New York Times Book Review 'Unforgettable . . . as engrossing as it is moving' Daily Mail
Autorenporträt
Delia Owens is the co-author of three internationally bestselling nonfiction books about her life as a wildlife scientist in Africa including Cry of the Kalahari. She has won the John Burroughs Award for Nature Writing and has been published in Nature, The African Journal of Ecology, and many others. She currently lives in Idaho. Where the Crawdads Sing is her first novel.
Rezensionen
A painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature . . . Owens here surveys the desolate marshlands of the North Carolina coast through the eyes of an abandoned child. And in her isolation that child makes us open our own eyes to the secret wonders-and dangers-of her private world New York Times Book Review