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Recinos's love for poetry began on the streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve to live on them. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken into the family of a White Presbyterian minister and guided back into school. In graduate school in New York City, Recinos befriended the Nuyorican poets the late Miguel Pinero and Pedro Pietri who encouraged him to write and read poetry at the Nuyorican poets cafe. In Where the Sidewalks Meet, Recinos uses poetry like graffiti on…mehr

Produktbeschreibung
Recinos's love for poetry began on the streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve to live on them. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken into the family of a White Presbyterian minister and guided back into school. In graduate school in New York City, Recinos befriended the Nuyorican poets the late Miguel Pinero and Pedro Pietri who encouraged him to write and read poetry at the Nuyorican poets cafe. In Where the Sidewalks Meet, Recinos uses poetry like graffiti on public culture, to make references to the invisible in plain sight, and talk about border crossings. These poems delicately string together the disregarded world of excluded, muted, and rejected human beings and ""shouts out the names"" of those the world only cares to look at sideways.
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Autorenporträt
Harold J. Recinos is professor of church and society at the Perkins School of Theology at Southern Methodist University. A cultural anthropologist, he specializes in work and ethnographic literature dealing with undocumented Central American migrants and the Salvadoran diaspora. He has published numerous articles, chapters in collections, and written major works in Latino Theology, including 18 collections of poetry. Recently, two new collections of poetry were released, The Looking Glass: Far and Near and The Place across the River (under review for a Pulitzer Prize). Recinos's poetry has been featured in Anglican Theological Review, Weavings, Sojourners, Anabaptist Witness, The Arts, Perspective, Afro-Hispanic Review, Hispanic Theological Initiative, En Foco, among others. Since the early 1980s, Recinos has worked with and defended the civil and human rights of Salvadoran refugees in the States and in marginal communities in El Salvador.