Why do we put bookplates in books in our personal libraries? Why do we keep photographs? How do popular illustrated journals and magazines function? Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet encourages us to think about all this and much, much more: it asks us to rethink what we know about words and images and how they interact. From 19th Century frontispieces to Soviet photo scrapbooks, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters by established scholars in a…mehr
Why do we put bookplates in books in our personal libraries? Why do we keep photographs? How do popular illustrated journals and magazines function? Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet encourages us to think about all this and much, much more: it asks us to rethink what we know about words and images and how they interact. From 19th Century frontispieces to Soviet photo scrapbooks, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters by established scholars in a range of interrelated fields open up historically specific relationships between word and image to collective examination and fruitful analysis. The chapters deliberately foreground both topics that have previously been overlooked as well as disciplinary approaches outside those most familiarly associated with word and image, to offer a stimulating and carefully developed framework to look at the relationship afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ludmilla Jordanova is Emeritus Professor of History and Visual Culture at Durham University, UK. She is the author of History in Practice, 3rd Edition (Bloomsbury, 2019) and co-editor of Writing Visual Histories (Bloomsbury, 2020). Florence Grant holds a PhD in History from King's College London, UK, and is currently an independent writer and editor based in Western North Carolina, USA. With Ludmilla Jordanova, she is co-editor of Writing Visual Histories (Bloomsbury, 2020).
Inhaltsangabe
List of Plates List of Illustrations List of Contributors Preface and Acknowledgements Introduction Part I. Identifying with Books Discussion 1. Fronts Matter: The Role of the Authorial Frontispiece in Germaine de Staël's Corinne: or Italy (Seren Nolan Durham University UK) 2. Othering the Ex-Libris: Israel Solomons and the Invention of the Jewish Bookplate (Tom Stammers Durham University UK) Bridge Part II. Representing Authority Discussion 3. Picturing Criminal Law in Old Regime France (Tom Hamilton Durham University UK) 4. Word and Image in Popular Science (Joseph D. Martin Durham University UK) Bridge Part III. Order and Disorder Discussion 5. Museum Labels: Word and Object on Display (Lola Sánchez-Jáuregui University of Glasgow UK) 6. Play with Literacy in Edward Lear's Nonsense Alphabets (A. Robin Hoffman Art Institute of Chicago USA) Bridge Part IV. Authenticity and Interpretation Discussion 7. On Taking Artists at Their Word: Artists' Writings and Statements from 1850 to the Present (Lucy Whelan University of Cambridge UK) 8. Portraiture and Biography: Harmonious Marriage or Difficult Relationship? (Ludmilla Jordanova Durham University UK) Bridge Part V. Making Compiling Arranging Discussion 9. Extra-Illustration in Early Twentieth-Century England (Ludmilla Jordanova Durham University UK) 10. Beyond the Caption: Words and Images in an Interwar Soviet Amateur Photograph Album (Antonia Miejluk Durham University UK) Bridge Part VI. Words in the Visual Field Discussion 11. Word as Image: The Verbal in the Photograph (J. J. Long Durham University UK) 12. Text-Image Hybridity in Know Thyself and Early Modern English Print (Finola Finn independent scholar Germany) Bridge Afterword: Word Image and Play Bibliography Index
List of Plates List of Illustrations List of Contributors Preface and Acknowledgements Introduction Part I. Identifying with Books Discussion 1. Fronts Matter: The Role of the Authorial Frontispiece in Germaine de Staël's Corinne: or Italy (Seren Nolan Durham University UK) 2. Othering the Ex-Libris: Israel Solomons and the Invention of the Jewish Bookplate (Tom Stammers Durham University UK) Bridge Part II. Representing Authority Discussion 3. Picturing Criminal Law in Old Regime France (Tom Hamilton Durham University UK) 4. Word and Image in Popular Science (Joseph D. Martin Durham University UK) Bridge Part III. Order and Disorder Discussion 5. Museum Labels: Word and Object on Display (Lola Sánchez-Jáuregui University of Glasgow UK) 6. Play with Literacy in Edward Lear's Nonsense Alphabets (A. Robin Hoffman Art Institute of Chicago USA) Bridge Part IV. Authenticity and Interpretation Discussion 7. On Taking Artists at Their Word: Artists' Writings and Statements from 1850 to the Present (Lucy Whelan University of Cambridge UK) 8. Portraiture and Biography: Harmonious Marriage or Difficult Relationship? (Ludmilla Jordanova Durham University UK) Bridge Part V. Making Compiling Arranging Discussion 9. Extra-Illustration in Early Twentieth-Century England (Ludmilla Jordanova Durham University UK) 10. Beyond the Caption: Words and Images in an Interwar Soviet Amateur Photograph Album (Antonia Miejluk Durham University UK) Bridge Part VI. Words in the Visual Field Discussion 11. Word as Image: The Verbal in the Photograph (J. J. Long Durham University UK) 12. Text-Image Hybridity in Know Thyself and Early Modern English Print (Finola Finn independent scholar Germany) Bridge Afterword: Word Image and Play Bibliography Index
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