A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Acknowledgments Overture: Some Issues Facing the Contemporary American Composer Part One: Essays on Composers 1. Cage Contemplating/Contemplating Cage 2. Some Things I Learned (Didn't Learn) from Milton Babbitt, or Why I Am (Am Not) a Serial Composer 3. Not Only Rows in Richard Swift's Roses Only 4. A Footnote to hasty, Whitehead, and Plato: More Thoughts on Stefan Wolpe's Music Part Two: Talks on My Music 5. Composing Each Time 6. Why Not Lilacs 7. Cold Mountain Songs 8. Music as Poetry: A Talk on My Fourteen Little Piano Pieces 9. Nature, Music and Nature, My Music Outdoors Part Three: Essays on Criticism and Aesthetics 10. Aspects of Confluence between Western Art Music and Ethnomusicology 11. Musical Form, Expectation, Attention, and Quality 12. Autocommentary: Thoughts on Music Theory at the Millenium 13. Thinking about Musical Time Appendixes Notes Bibliography Index
Preface Acknowledgments Overture: Some Issues Facing the Contemporary American Composer Part One: Essays on Composers 1. Cage Contemplating/Contemplating Cage 2. Some Things I Learned (Didn't Learn) from Milton Babbitt, or Why I Am (Am Not) a Serial Composer 3. Not Only Rows in Richard Swift's Roses Only 4. A Footnote to hasty, Whitehead, and Plato: More Thoughts on Stefan Wolpe's Music Part Two: Talks on My Music 5. Composing Each Time 6. Why Not Lilacs 7. Cold Mountain Songs 8. Music as Poetry: A Talk on My Fourteen Little Piano Pieces 9. Nature, Music and Nature, My Music Outdoors Part Three: Essays on Criticism and Aesthetics 10. Aspects of Confluence between Western Art Music and Ethnomusicology 11. Musical Form, Expectation, Attention, and Quality 12. Autocommentary: Thoughts on Music Theory at the Millenium 13. Thinking about Musical Time Appendixes Notes Bibliography Index
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