Andere Kunden interessierten sich auch für
![Michelangelo's 'Last Judgment']( "Michelangelo's 'Last Judgment'")
Michelangelo's 'Last Judgment'82,99 €![Surrealism and the Visual Arts]( "Surrealism and the Visual Arts")
Surrealism and the Visual Arts113,99 €![Reading Greek Vases]( "Reading Greek Vases")
Reading Greek Vases113,99 €![Pen Pictures and How to Draw Them: a Practical Handbook on the Various Methods of Illustrating in Black and White for Process Engraving, With Numerous]( "Pen Pictures and How to Draw Them: a Practical Handbook on the Various Methods of Illustrating in Black and White for Process Engraving, With Numerous")
Pen Pictures and How to Draw Them: a Practical Handbook on the Various Methods of Illustrating in Black and White for Process Engraving, With Numerous33,99 €![Candice Lin, a Hard White Body]( "Candice Lin, a Hard White Body")
Candice Lin, a Hard White Body39,99 €![Mark Rothko]( "Mark Rothko")
Mark Rothko30,99 €![Black and White Exhibition of the Salmagundi Sketch Club: Held at the Galleries of the National Academy of Design ..., Open From Dec. 1st to 21st, Inc]( "Black and White Exhibition of the Salmagundi Sketch Club: Held at the Galleries of the National Academy of Design ..., Open From Dec. 1st to 21st, Inc")
Black and White Exhibition of the Salmagundi Sketch Club: Held at the Galleries of the National Academy of Design ..., Open From Dec. 1st to 21st, Inc32,99 €
This book investigates how identities have been constructed in Australian art from 1788 to the present. Ian McLean shows that Australian art, and the writing of its history, has since settlement been in a dialogue (although often submerged) with Aboriginal art and culture; and that this dialogue is inextricably interwoven with the struggle to find an identity in the antipodes. Beginning with a discussion of how Australia was imagined by Europeans before colonisation, McLean traces the representation of indigeneity through the history of Australian art, and the concomitant invention of an Australian subjectivity. He argues that the colonising culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. McLean considers artists and their work within a cultural context, and also provides a contemporary theoretical and critical context for his claims.
Table of contents:
1. Ocean and the Antipodes; 2. Artful killings: melancholy, metaphor and the aesthetic practices of colonial art, 1500-1870; 3. The art of settlement, 1790-1880; 4. The triumph and limits of impressionism, 1880-1910; 5. Aboriginalism and Australian nationalism, 1900-1960; 6. The Aboriginal renaissance and its impact on Australian painting, 1940-1990; 7. The reception of Aboriginality in contemporary Australian painting, 1980-1996; 8. Painting for a new republic: Gordon Bennett's mirror play, 1988-1996; Postscript: What do Australians want?
An original exploration of the influence of Aboriginality on Australian art and identity.
An original exploration of the influence of Aboriginality on Australian art and identity.
Table of contents:
1. Ocean and the Antipodes; 2. Artful killings: melancholy, metaphor and the aesthetic practices of colonial art, 1500-1870; 3. The art of settlement, 1790-1880; 4. The triumph and limits of impressionism, 1880-1910; 5. Aboriginalism and Australian nationalism, 1900-1960; 6. The Aboriginal renaissance and its impact on Australian painting, 1940-1990; 7. The reception of Aboriginality in contemporary Australian painting, 1980-1996; 8. Painting for a new republic: Gordon Bennett's mirror play, 1988-1996; Postscript: What do Australians want?
An original exploration of the influence of Aboriginality on Australian art and identity.
An original exploration of the influence of Aboriginality on Australian art and identity.