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Argues that Irish American masculinity functioned to negotiate, consolidate, and reinforce hegemonic whiteness in Hollywood cinema from 1930 to 1960.

Produktbeschreibung
Argues that Irish American masculinity functioned to negotiate, consolidate, and reinforce hegemonic whiteness in Hollywood cinema from 1930 to 1960.
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Autorenporträt
Tony Tracy is Assistant Professor of Film and Media Studies at the Huston School of Film & Digital Media, National University of Ireland, Galway. His previous books include Masculinity and Irish Popular Culture: Tiger's Tales (coedited with Conn Holohan) and Historical Dictionary of Irish Cinema (coedited with Roddy Flynn).