Who Invented Oscar Wilde? provides a framework for understanding the development and purpose of creators’ rights in the United States. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Newhoff is a freelance writer and communications consultant. As a copyright advocate he has worked with Copyright Alliance in Washington, DC; CreativeFuture in Los Angeles; and the Center for the Protection of Intellectual Property at George Mason School of Law. He founded the blog The Illusion of More and several of his essays have been cited in scholarly journals such as the Harvard Law Review, shared widely by legal experts and artists, and republished in Berklee Today, Allegro, and in both educational textbooks and online curricula.
Inhaltsangabe
List of Illustrations Acknowledgments Prologue: Eidolons 1. Dangerous Paradoxes 2. Copyright in a Few Snapshots 3. Stone Drawing 4. The Mencken 5. The Aesthetic Sham 6. The “Death of Chatterton” Case 7. The Girl (Boy) on the Tracks 8. “The Apparatus Can’t Mistake” 9. Who Invented Oscar Wilde? 10. The Wit of Macaulay v. Mickey Mouse 11. Monkeys and Selfies and “Monkey Selfies” 12. Art Is Theft 13. Invasive Species: When Machines Make Art 14. Who’s Inventing the Future? Epilogue: Mirrors of Memory Notes Bibliography Index
List of Illustrations Acknowledgments Prologue: Eidolons 1. Dangerous Paradoxes 2. Copyright in a Few Snapshots 3. Stone Drawing 4. The Mencken 5. The Aesthetic Sham 6. The “Death of Chatterton” Case 7. The Girl (Boy) on the Tracks 8. “The Apparatus Can’t Mistake” 9. Who Invented Oscar Wilde? 10. The Wit of Macaulay v. Mickey Mouse 11. Monkeys and Selfies and “Monkey Selfies” 12. Art Is Theft 13. Invasive Species: When Machines Make Art 14. Who’s Inventing the Future? Epilogue: Mirrors of Memory Notes Bibliography Index
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