One of the Best Books of the Year: Newsday, The Times, The Observer, Mail on Sunday This "gorgeous treat of a novel" (The Times, Book of the Month) is a funny, sexy, irreverent, and intensely moving portrait of what unites human beings when their sacred mysteries are blown apart. Avoiding the trauma of the First World War, Piet Barol heads into Africa's greatest forest. With a business to build and secrets to escape, he's running out of time to make his own luck. His African guides have reasons of their own for taking him to their ancestral lands - where he finds a prize beyond his wildest imaginings. To get it, he must use every weapon at his disposal. As the story moves to its devastating conclusion, every character becomes a suspect, and Piet's gamble sets him on a collision course with forces he cannot control. An exquisite, deeply human tale of temptation and theft, set against the extraordinary backdrop of history in the making, Who Killed Piet Barol? affirms Richard Mason's place among the great writers of our time.
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Utterly entrancing...Richard Mason has created an epic narrative in which human failure and decency are opposing forces. Mason entwines the divided racial strands of South Africa in 1914, in a riveting tale seen through the eyes of both colonial whites and tribal black South Africans, as their paths converge in a search for survival and a better life. The novel is written by a master of prose who instinctively knows how to make the reader turn pages fast but also sets in motion trains of thought which demand slow, profound analysis as a seemingly playful lie spirals into an explosion of greed, lust and ruthless ambition. Set against the backdrop of ancient forests, this novel also explores the magic of nature and spirituality, and how man's noblest and most ignoble aims can sometimes co-exist in the same space.... I wanted to re-reread it immediately. Richard Mason is a distinctive voice in British fiction whose elegant prose has marked him out as one of the outstanding writers of his generation Geordie Greig, Editor, Mail on Sunday