Who Was Cousin Alice? and Other Questions - Matthias, John
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Who Was Cousin Alice? & Other Questions attempts to answer both the first question posed in the title about American poet John Matthias' early family memories, and then to raise and engage, in a series of memoirs and critical essays, a large number of "other questions." These range from an attempt to find some answers about his wife's British family in 'Kedging in Kedging in Time,' an essay-memoir first published as an afterword to his long poem, 'Kedging', about the Adams and Young families during and after World War I, to memoirs inquiring into "Poetry and Insomnia," "Poetry and Murder," and…mehr

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Produktbeschreibung
Who Was Cousin Alice? & Other Questions attempts to answer both the first question posed in the title about American poet John Matthias' early family memories, and then to raise and engage, in a series of memoirs and critical essays, a large number of "other questions." These range from an attempt to find some answers about his wife's British family in 'Kedging in Kedging in Time,' an essay-memoir first published as an afterword to his long poem, 'Kedging', about the Adams and Young families during and after World War I, to memoirs inquiring into "Poetry and Insomnia," "Poetry and Murder," and the literary imaginations of "Grand Old Dirty Old Men" - Yasunari Kawabata, Gabriel García Márquez, and Octavio Paz, among others - an examination of erotic writing of the old and aging as a manifestation of "late style." Specifically literary essays include considerations of W.H. Auden, Benjamin Britten, Roy Fisher, Paul Muldoon, John Berryman, Robert Hass, Robert Pinsky, Michael Anania, and "British Poetry at Y2K." In this hybrid mix of genres - both very recent work and a selection of pieces culled from the last twenty-five years - Matthias has added a number of poems that enter into a dialogue with his essays and memoirs. Guy Davenport has said that Matthias' prose "is written in a congenial and civilized style," and that while he "writes for a general audience that reads," his work, taken together, constitutes "a critical tour de force."
Autorenporträt
John Matthias was born in 1941 in Columbus, Ohio. For many years he taught at the University of Notre Dame and continues to serve as poetry editor of Notre Dame Review. He has been a Visiting Fellow in poetry at Clare Hall, Cambridge, and lived for much of the 70s and 80s in East Anglia. His books of verse include Turns, Crossing, Northern Summer, A Gathering of Ways, Swimming at Midnight, Beltane at Aphelion, Pages, Working Progress, Working Title, New Selected Poems and Kedging. He has also published translations from the Swedish, editions of David Jones' work, and a volume of literary criticism, Reading Old Friends. In 1998 Robert Archambeau edited Word Play Place, a selection of essays on Matthias's work. Another book of essays on his poetry appeared in 2011 in the Salt Companion series, edited by Joe Francis Doerr. Since 2010, Shearsman has republished all of his poetry in the volumes Trigons (2010), Collected Shorter Poems Vol. 2 (2011), Collected Longer Poems (2012) and Collected Shorter Poems Vol. 1 (2013). In 2011 Shearsman also pubished his essay collection, Who was Cousin Alice?