Whose Country Music?
Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
Herausgeber: Bishop, Paula J; Watson, Jada E
Whose Country Music?
Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
Herausgeber: Bishop, Paula J; Watson, Jada E
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Participation in country music culture has long been dictated and restricted by entrenched systems of gatekeeping. This collection contests those systems and challenges the received narrative, examining contemporary issues in country music through feminist, intersectional, and post-colonialist theories.
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Participation in country music culture has long been dictated and restricted by entrenched systems of gatekeeping. This collection contests those systems and challenges the received narrative, examining contemporary issues in country music through feminist, intersectional, and post-colonialist theories.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 322
- Erscheinungstermin: 30. Mai 2024
- Englisch
- Abmessung: 244mm x 170mm x 17mm
- Gewicht: 562g
- ISBN-13: 9781108927680
- ISBN-10: 1108927688
- Artikelnr.: 70743350
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 322
- Erscheinungstermin: 30. Mai 2024
- Englisch
- Abmessung: 244mm x 170mm x 17mm
- Gewicht: 562g
- ISBN-13: 9781108927680
- ISBN-10: 1108927688
- Artikelnr.: 70743350
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Industry: 1. Mailbox Money: Novel Liberation Strategies of a Black Female
Country Songwriter Alice Randall; 2. Dixie Chicked: Sony vs. The Chicks and
the Regendering of Country Music in the Early Twentieth-Century Kristine M.
McCusker; 3. How 360° Deals Homogenized Country Music Rachel Skaggs; 4. A
Double-Edged Sword: Industry Data and the Construction of Country Music
Narratives Jada Watson; Codes of Conduct: 5. Why Country Music Needs Latina
Feminism Sophia Enriquez; 6. Pistol Annies: Country Rebels with Humor
Stephanie Vander Wel; 7. From Bros to Gentlemen: The Problem of Consent in
Contemporary Country Music Phoebe E. Hughes; 8. Cowboys on a Beach: Summer
Country and the Loss of Working-Class Identity Jocelyn R. Neal.
Authenticity: 9. Dolly Parton's Netflix Reimagining: How Her Twenty-First
Century 'Jolene' Revises Country Music's Authenticity Narrative Leigh H.
Edwards; 10. 'When Britney [Spears] Ruled the World': Expanding the
Stylistic Boundaries of Nostalgia in Country Music Paula J. Bishop; 11.
Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-first
Century Janet Aspley; 12. Country Music Doesn't Have to Suck:
Intertextuality, Community, and Bloodshot Records Nancy P. Riley. Boundary
Work: 13. Playing at the Border: Navajo Country Western Music and Border
Town Racism Kristina Jacobsen; 14. Country-Loving Mexican Americans: Dual
Patriotism and Inevitable Fandom among Mexican American Country Music
Lovers Nadine Hubbs; 15. Practices of Genre Surveillance in Country Music:
Hearing Racial Politics in Beyoncé's and The Chicks' 'Daddy Lessons'
Rebekah Hutten; 16. 'We Have a Lot of Work to Do': Rhiannon Giddens and
Country Music's Mixed Roots Tracey E. Laird. Epilogue: Country Music Needs
a Revolution Rissi Palmer.
Country Songwriter Alice Randall; 2. Dixie Chicked: Sony vs. The Chicks and
the Regendering of Country Music in the Early Twentieth-Century Kristine M.
McCusker; 3. How 360° Deals Homogenized Country Music Rachel Skaggs; 4. A
Double-Edged Sword: Industry Data and the Construction of Country Music
Narratives Jada Watson; Codes of Conduct: 5. Why Country Music Needs Latina
Feminism Sophia Enriquez; 6. Pistol Annies: Country Rebels with Humor
Stephanie Vander Wel; 7. From Bros to Gentlemen: The Problem of Consent in
Contemporary Country Music Phoebe E. Hughes; 8. Cowboys on a Beach: Summer
Country and the Loss of Working-Class Identity Jocelyn R. Neal.
Authenticity: 9. Dolly Parton's Netflix Reimagining: How Her Twenty-First
Century 'Jolene' Revises Country Music's Authenticity Narrative Leigh H.
Edwards; 10. 'When Britney [Spears] Ruled the World': Expanding the
Stylistic Boundaries of Nostalgia in Country Music Paula J. Bishop; 11.
Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-first
Century Janet Aspley; 12. Country Music Doesn't Have to Suck:
Intertextuality, Community, and Bloodshot Records Nancy P. Riley. Boundary
Work: 13. Playing at the Border: Navajo Country Western Music and Border
Town Racism Kristina Jacobsen; 14. Country-Loving Mexican Americans: Dual
Patriotism and Inevitable Fandom among Mexican American Country Music
Lovers Nadine Hubbs; 15. Practices of Genre Surveillance in Country Music:
Hearing Racial Politics in Beyoncé's and The Chicks' 'Daddy Lessons'
Rebekah Hutten; 16. 'We Have a Lot of Work to Do': Rhiannon Giddens and
Country Music's Mixed Roots Tracey E. Laird. Epilogue: Country Music Needs
a Revolution Rissi Palmer.
Industry: 1. Mailbox Money: Novel Liberation Strategies of a Black Female
Country Songwriter Alice Randall; 2. Dixie Chicked: Sony vs. The Chicks and
the Regendering of Country Music in the Early Twentieth-Century Kristine M.
McCusker; 3. How 360° Deals Homogenized Country Music Rachel Skaggs; 4. A
Double-Edged Sword: Industry Data and the Construction of Country Music
Narratives Jada Watson; Codes of Conduct: 5. Why Country Music Needs Latina
Feminism Sophia Enriquez; 6. Pistol Annies: Country Rebels with Humor
Stephanie Vander Wel; 7. From Bros to Gentlemen: The Problem of Consent in
Contemporary Country Music Phoebe E. Hughes; 8. Cowboys on a Beach: Summer
Country and the Loss of Working-Class Identity Jocelyn R. Neal.
Authenticity: 9. Dolly Parton's Netflix Reimagining: How Her Twenty-First
Century 'Jolene' Revises Country Music's Authenticity Narrative Leigh H.
Edwards; 10. 'When Britney [Spears] Ruled the World': Expanding the
Stylistic Boundaries of Nostalgia in Country Music Paula J. Bishop; 11.
Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-first
Century Janet Aspley; 12. Country Music Doesn't Have to Suck:
Intertextuality, Community, and Bloodshot Records Nancy P. Riley. Boundary
Work: 13. Playing at the Border: Navajo Country Western Music and Border
Town Racism Kristina Jacobsen; 14. Country-Loving Mexican Americans: Dual
Patriotism and Inevitable Fandom among Mexican American Country Music
Lovers Nadine Hubbs; 15. Practices of Genre Surveillance in Country Music:
Hearing Racial Politics in Beyoncé's and The Chicks' 'Daddy Lessons'
Rebekah Hutten; 16. 'We Have a Lot of Work to Do': Rhiannon Giddens and
Country Music's Mixed Roots Tracey E. Laird. Epilogue: Country Music Needs
a Revolution Rissi Palmer.
Country Songwriter Alice Randall; 2. Dixie Chicked: Sony vs. The Chicks and
the Regendering of Country Music in the Early Twentieth-Century Kristine M.
McCusker; 3. How 360° Deals Homogenized Country Music Rachel Skaggs; 4. A
Double-Edged Sword: Industry Data and the Construction of Country Music
Narratives Jada Watson; Codes of Conduct: 5. Why Country Music Needs Latina
Feminism Sophia Enriquez; 6. Pistol Annies: Country Rebels with Humor
Stephanie Vander Wel; 7. From Bros to Gentlemen: The Problem of Consent in
Contemporary Country Music Phoebe E. Hughes; 8. Cowboys on a Beach: Summer
Country and the Loss of Working-Class Identity Jocelyn R. Neal.
Authenticity: 9. Dolly Parton's Netflix Reimagining: How Her Twenty-First
Century 'Jolene' Revises Country Music's Authenticity Narrative Leigh H.
Edwards; 10. 'When Britney [Spears] Ruled the World': Expanding the
Stylistic Boundaries of Nostalgia in Country Music Paula J. Bishop; 11.
Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-first
Century Janet Aspley; 12. Country Music Doesn't Have to Suck:
Intertextuality, Community, and Bloodshot Records Nancy P. Riley. Boundary
Work: 13. Playing at the Border: Navajo Country Western Music and Border
Town Racism Kristina Jacobsen; 14. Country-Loving Mexican Americans: Dual
Patriotism and Inevitable Fandom among Mexican American Country Music
Lovers Nadine Hubbs; 15. Practices of Genre Surveillance in Country Music:
Hearing Racial Politics in Beyoncé's and The Chicks' 'Daddy Lessons'
Rebekah Hutten; 16. 'We Have a Lot of Work to Do': Rhiannon Giddens and
Country Music's Mixed Roots Tracey E. Laird. Epilogue: Country Music Needs
a Revolution Rissi Palmer.