Whose Spain? - Llano, Samuel
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In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' at the beginning of the nineteenth century and the discourse's connection with French politics and culture of the era. Llano studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, and ultimately demonstrates that definitions of 'French' and 'Spanish' music during this period were to some extent interdependent.

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Produktbeschreibung
In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' at the beginning of the nineteenth century and the discourse's connection with French politics and culture of the era. Llano studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, and ultimately demonstrates that definitions of 'French' and 'Spanish' music during this period were to some extent interdependent.
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Autorenporträt
Samuel Llano is a cultural historian specialised in Spanish music and theatre of the nineteenth and twentieth centuries. He has published on the presence of Spanish music and culture in Paris in the early twentieth century. His current research deals with representations of "wrongdoing" on the Spanish stage and how they intersect with notions of gender, race, and class.