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Community music practice is about participation and ease of access. However, giving people what they want and feel comfortable with -for example endlessly reproducing their favourites- is a completely different matter and a rather superficial and one-dimensional one. With regard to Community Music's fundamental credo and aim, which is giving people (and especially less benefited or disenfranchised ones) a personal voice, the core of the argument moves to making this voice one with a heightened consciousness. In other words, one which reflects on Western world's mass production of homogeneous…mehr

Produktbeschreibung
Community music practice is about participation and ease of access. However, giving people what they want and feel comfortable with -for example endlessly reproducing their favourites- is a completely different matter and a rather superficial and one-dimensional one. With regard to Community Music's fundamental credo and aim, which is giving people (and especially less benefited or disenfranchised ones) a personal voice, the core of the argument moves to making this voice one with a heightened consciousness. In other words, one which reflects on Western world's mass production of homogeneous culture and recycling of stereotypes and juxtaposes a rediscovering of idiosyncratic, thoughtfully informed likes and dislikes. We talk about a personally expressed voice which celebrates and, at the same time, is being strengthened by a gradual formation of a communal identity inside a group. This voice and identity is fed by people's main fuel: high aspiration, and this is what should define standards of excellence in community art, in all art.
Autorenporträt
Mariza Vamvoukli foi educada em Lesvos, Grécia. B¿ em Musicologia, 2 M¿ graus: em Música Edu e Música Comunitária. Campos de investigação: improvisação musical, música e dislexia. Ensina no ensino primário grego. Principal enfoque: grupos musicais comunitários interculturais. Fundado em Lesvos "Polyphonica Aegean" coro infantil e "Cantalaloun" coro de adultos.