Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best.
Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best.
Matthew Strohl is Professor of Philosophy at the University of Montana. He received his Ph.D. from Princeton University and blogs about movies, food, and philosophy of art at strohltopia.com and aestheticsforbirds.com.
Inhaltsangabe
1. The Good, the Bad, and the Good-Bad 2. Artists' Intentions and Bad Movie Greatness 3. A Beautiful Rainbow of Badness 4. Taste and Twilight 5. Nicolas Cage and the Limits of the Critical Imagination 6. Bad Movies and the Good Life
1. The Good, the Bad, and the Good-Bad 2. Artists' Intentions and Bad Movie Greatness 3. A Beautiful Rainbow of Badness 4. Taste and Twilight 5. Nicolas Cage and the Limits of the Critical Imagination 6. Bad Movies and the Good Life
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