A study of the cultural value of literary manuscripts that explores why they are traded, conserved, and coveted. It focuses on the history of manuscript collection from the late seventeenth to the early eighteenth century, and the emerging strains of commercial, aesthetic, and heritage value driving it.
A study of the cultural value of literary manuscripts that explores why they are traded, conserved, and coveted. It focuses on the history of manuscript collection from the late seventeenth to the early eighteenth century, and the emerging strains of commercial, aesthetic, and heritage value driving it.
Kathryn Sutherland is Senior Research Fellow at St Anne's College, University of Oxford. She is the author of Jane Austen's Textual Lives: From Aeschylus to Bollywood (OUP, 2005) and editor of Jane Austen's Fiction Manuscripts (OUP, 2018).
Inhaltsangabe
Introduction 1: Dealing with the Leftovers 2: Samuel Johnson and the Origins of Writing 3: 'this warm scribe my hand': The Autograph Craze 4: Nothing Wasted: Frances Burney's Fiction Manuscripts 5: Whose Property? Walter Scott's Manuscripts 6: Jane Austen Fragment Artist Afterword
Introduction 1: Dealing with the Leftovers 2: Samuel Johnson and the Origins of Writing 3: 'this warm scribe my hand': The Autograph Craze 4: Nothing Wasted: Frances Burney's Fiction Manuscripts 5: Whose Property? Walter Scott's Manuscripts 6: Jane Austen Fragment Artist Afterword
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