Why the Theatre
In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
Herausgeber: Homan, Sidney
Why the Theatre
In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
Herausgeber: Homan, Sidney
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Why the Theatre is a collection of twenty-six personal essay by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society.
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Why the Theatre is a collection of twenty-six personal essay by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 210
- Erscheinungstermin: 14. Dezember 2020
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 272g
- ISBN-13: 9780367861957
- ISBN-10: 036786195X
- Artikelnr.: 60040328
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 210
- Erscheinungstermin: 14. Dezember 2020
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 272g
- ISBN-13: 9780367861957
- ISBN-10: 036786195X
- Artikelnr.: 60040328
Sidney Homan is Professor of English at the University of Florida and a member of the Academy of Distinguished Teaching Scholars. An actor and director in professional and university theatres, he is the author or editor of 18 books on Shakespeare and the modern playwrights.
Introduction: Why?
Sidney Homan
Part 1: The Creative Role of the Audience
1. Vouchsafe Me Audience
Nick Hutchison
2. Training the Eye
S. P. Cerasano
3. Undeveloped Freight: Listening Together in the Playhouse
Robert Price
4. A Shakespeare Professor Becomes a Playgoer
Alan C. Dessen
5. Acting the Storm: Twenty Years of Tempests
June Schlueter
6. From Theatre to Classroom: Making Teaching Effective
Fred Kiefer
Part II: The Life of the Actor, Director, and Playwright in Performance
7. Why the Theatre? Breaking of the Fourth Wall
Gary Lagden
8. Play, Devising, and the Creative Process
Brian Rhinehart
9. I Am Thrilled by an Impure Theatre
Sidney Homan
10. In the Nick: Theatre in and of Our Times
Jerry Harp
11. "The Play" May Not Be "The Thing"-But Something Is
Erica Terpening-Romeo
12. Why Butoh Theatre: Thoughts of the Actor, Questions From the Director
Yokko ( Yoshiko Sienkiewicz ) and Brian Rhinehart
13. Amateur Hour, or Notes From a Hack Playwright
Paul Menzer
Part III: When the Theatre Moves Beyond the Stage Into the Real World
14. Theatre for Health
Joanna Howarth
15. Why Make Theatre in the South Pacific? A Personal View of Theatre in
Aotearoa/New Zealand
David O'Donnell
16. Empathy Is Essential
Kristin Kundert
17. The Art of Failure
Katherine McGerr
18. Why Teach Theatre?
Gina MacKenzie
19. Making Theatre Around the World, and What It Has Taught Me
Avra Sidiroupoulou
Part IV: Theories and Thoughts About What the Theatre Can Do When Given
Form Onstage
20. The Cruelty Tourist and the Emancipated Spectator: Looking for an
Essential Theatre
Ralf Remshardt
21. Theatre and the Digital Native
Donna Soto-Morettini
22. Remembering Dreams
Fran Teague
23. Theatrical Pleasure and Lynn Nottage's Intimate Apparel
Joseph Candido
24. Yeat's "Lapis Lazuli" as Theatrum Mundi
Daniel T. O'Hara
25. Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic
Patrick Hart
26. Because
Cary M. Mazer
Epilogue: "Yeh, Boss"
Sidney Homan
Sidney Homan
Part 1: The Creative Role of the Audience
1. Vouchsafe Me Audience
Nick Hutchison
2. Training the Eye
S. P. Cerasano
3. Undeveloped Freight: Listening Together in the Playhouse
Robert Price
4. A Shakespeare Professor Becomes a Playgoer
Alan C. Dessen
5. Acting the Storm: Twenty Years of Tempests
June Schlueter
6. From Theatre to Classroom: Making Teaching Effective
Fred Kiefer
Part II: The Life of the Actor, Director, and Playwright in Performance
7. Why the Theatre? Breaking of the Fourth Wall
Gary Lagden
8. Play, Devising, and the Creative Process
Brian Rhinehart
9. I Am Thrilled by an Impure Theatre
Sidney Homan
10. In the Nick: Theatre in and of Our Times
Jerry Harp
11. "The Play" May Not Be "The Thing"-But Something Is
Erica Terpening-Romeo
12. Why Butoh Theatre: Thoughts of the Actor, Questions From the Director
Yokko ( Yoshiko Sienkiewicz ) and Brian Rhinehart
13. Amateur Hour, or Notes From a Hack Playwright
Paul Menzer
Part III: When the Theatre Moves Beyond the Stage Into the Real World
14. Theatre for Health
Joanna Howarth
15. Why Make Theatre in the South Pacific? A Personal View of Theatre in
Aotearoa/New Zealand
David O'Donnell
16. Empathy Is Essential
Kristin Kundert
17. The Art of Failure
Katherine McGerr
18. Why Teach Theatre?
Gina MacKenzie
19. Making Theatre Around the World, and What It Has Taught Me
Avra Sidiroupoulou
Part IV: Theories and Thoughts About What the Theatre Can Do When Given
Form Onstage
20. The Cruelty Tourist and the Emancipated Spectator: Looking for an
Essential Theatre
Ralf Remshardt
21. Theatre and the Digital Native
Donna Soto-Morettini
22. Remembering Dreams
Fran Teague
23. Theatrical Pleasure and Lynn Nottage's Intimate Apparel
Joseph Candido
24. Yeat's "Lapis Lazuli" as Theatrum Mundi
Daniel T. O'Hara
25. Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic
Patrick Hart
26. Because
Cary M. Mazer
Epilogue: "Yeh, Boss"
Sidney Homan
Introduction: Why?
Sidney Homan
Part 1: The Creative Role of the Audience
1. Vouchsafe Me Audience
Nick Hutchison
2. Training the Eye
S. P. Cerasano
3. Undeveloped Freight: Listening Together in the Playhouse
Robert Price
4. A Shakespeare Professor Becomes a Playgoer
Alan C. Dessen
5. Acting the Storm: Twenty Years of Tempests
June Schlueter
6. From Theatre to Classroom: Making Teaching Effective
Fred Kiefer
Part II: The Life of the Actor, Director, and Playwright in Performance
7. Why the Theatre? Breaking of the Fourth Wall
Gary Lagden
8. Play, Devising, and the Creative Process
Brian Rhinehart
9. I Am Thrilled by an Impure Theatre
Sidney Homan
10. In the Nick: Theatre in and of Our Times
Jerry Harp
11. "The Play" May Not Be "The Thing"-But Something Is
Erica Terpening-Romeo
12. Why Butoh Theatre: Thoughts of the Actor, Questions From the Director
Yokko ( Yoshiko Sienkiewicz ) and Brian Rhinehart
13. Amateur Hour, or Notes From a Hack Playwright
Paul Menzer
Part III: When the Theatre Moves Beyond the Stage Into the Real World
14. Theatre for Health
Joanna Howarth
15. Why Make Theatre in the South Pacific? A Personal View of Theatre in
Aotearoa/New Zealand
David O'Donnell
16. Empathy Is Essential
Kristin Kundert
17. The Art of Failure
Katherine McGerr
18. Why Teach Theatre?
Gina MacKenzie
19. Making Theatre Around the World, and What It Has Taught Me
Avra Sidiroupoulou
Part IV: Theories and Thoughts About What the Theatre Can Do When Given
Form Onstage
20. The Cruelty Tourist and the Emancipated Spectator: Looking for an
Essential Theatre
Ralf Remshardt
21. Theatre and the Digital Native
Donna Soto-Morettini
22. Remembering Dreams
Fran Teague
23. Theatrical Pleasure and Lynn Nottage's Intimate Apparel
Joseph Candido
24. Yeat's "Lapis Lazuli" as Theatrum Mundi
Daniel T. O'Hara
25. Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic
Patrick Hart
26. Because
Cary M. Mazer
Epilogue: "Yeh, Boss"
Sidney Homan
Sidney Homan
Part 1: The Creative Role of the Audience
1. Vouchsafe Me Audience
Nick Hutchison
2. Training the Eye
S. P. Cerasano
3. Undeveloped Freight: Listening Together in the Playhouse
Robert Price
4. A Shakespeare Professor Becomes a Playgoer
Alan C. Dessen
5. Acting the Storm: Twenty Years of Tempests
June Schlueter
6. From Theatre to Classroom: Making Teaching Effective
Fred Kiefer
Part II: The Life of the Actor, Director, and Playwright in Performance
7. Why the Theatre? Breaking of the Fourth Wall
Gary Lagden
8. Play, Devising, and the Creative Process
Brian Rhinehart
9. I Am Thrilled by an Impure Theatre
Sidney Homan
10. In the Nick: Theatre in and of Our Times
Jerry Harp
11. "The Play" May Not Be "The Thing"-But Something Is
Erica Terpening-Romeo
12. Why Butoh Theatre: Thoughts of the Actor, Questions From the Director
Yokko ( Yoshiko Sienkiewicz ) and Brian Rhinehart
13. Amateur Hour, or Notes From a Hack Playwright
Paul Menzer
Part III: When the Theatre Moves Beyond the Stage Into the Real World
14. Theatre for Health
Joanna Howarth
15. Why Make Theatre in the South Pacific? A Personal View of Theatre in
Aotearoa/New Zealand
David O'Donnell
16. Empathy Is Essential
Kristin Kundert
17. The Art of Failure
Katherine McGerr
18. Why Teach Theatre?
Gina MacKenzie
19. Making Theatre Around the World, and What It Has Taught Me
Avra Sidiroupoulou
Part IV: Theories and Thoughts About What the Theatre Can Do When Given
Form Onstage
20. The Cruelty Tourist and the Emancipated Spectator: Looking for an
Essential Theatre
Ralf Remshardt
21. Theatre and the Digital Native
Donna Soto-Morettini
22. Remembering Dreams
Fran Teague
23. Theatrical Pleasure and Lynn Nottage's Intimate Apparel
Joseph Candido
24. Yeat's "Lapis Lazuli" as Theatrum Mundi
Daniel T. O'Hara
25. Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic
Patrick Hart
26. Because
Cary M. Mazer
Epilogue: "Yeh, Boss"
Sidney Homan