PRAISE FOR WICKED WEEDS Wicked Weeds named to top ten forthcoming books in science fiction, fantasy and horror by Publishers Weekly, in the Spring 2016 Announcements "[A] Caribbean zombie novel navigates the uncertain pathways of the human heart in this cerebral take on the undead. ...Isadore is one of three complicated women in our protagonist’s life, one of a triptych that includes the passionate and visceral Patricia Cáceres and the naïve and open-hearted Mathilde Álverez. If you asked for a Caribbean version of Shakespeare’s Weird Sisters, you’d get a portrait of these three characters. "[A] culturally resonant tale of zombie woe"" Kirkus Reviews Threats of a zombie apocalypse seem to be around every corner, but what’s rare is an intelligent, thoughtful, funny, sentimental, socially conscious, and, yes, gross at times zombie tale infused with Caribbean culture, piques, prejudices, and passions. Pedro Cabiya delivers all of this and more in Wicked Weeds, one gentleman zombie’s quest to recapture his lost qualia, that indefinable, internal, sensory perception of selfWhether you consider yourself a lover of zombie fantasies or not, devour Wicked Weeds for its unique perspective, cultural insights, and charged humor.” Foreword Reviews You know what’s been missing in your life? A work of Caribbean noir and science fiction! in Wicked Weeks, a smart and successful zombie desperately searches for the formula that would reverse his zombie-hood” and turn him into a real person.” Rachel Cordasco, Tor.com, Speculative Fiction in Translation: 15 Works to Watch Out For in 2016 Combining his expertise in fiction, graphic novels and film, Pedro Cabiya has created a memorable literary zombie novel of a dead man's search for his lost humanity. The end result is a novel that can take its place alongside other heady, high-brow zombie novels like Colson Whitehead’s Zone One, Daryl Gregory's Raising Stony Mayhall, and California by Edan Lepucki. As for the novel's immersion in orality and Caribbean folk traditions, it can very well align with Wade Davis' The Serpent and the Rainbow, Patrick Chamoiseau’s Texaco, and Max Brooks’ World War Z.
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