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Widows of Colonial Bengal: Gender, Morality, and Cultural Representation seeks to explore the unique vulnerability and precarity of widowhood in Bengal during the late nineteenth and early twentieth centuries. A major purpose of this study is to re-examine the official and indigenous discourses surrounding the widely debated Widow Remarriage Act of 1856; another is to situate the 'widow problem'-rooted in the historical context of a heightened preoccupation with marriage, remarriage, sexuality and survival-within contemporary cultural representations. The focus of this volume is the tussle…mehr

Produktbeschreibung
Widows of Colonial Bengal: Gender, Morality, and Cultural Representation seeks to explore the unique vulnerability and precarity of widowhood in Bengal during the late nineteenth and early twentieth centuries. A major purpose of this study is to re-examine the official and indigenous discourses surrounding the widely debated Widow Remarriage Act of 1856; another is to situate the 'widow problem'-rooted in the historical context of a heightened preoccupation with marriage, remarriage, sexuality and survival-within contemporary cultural representations. The focus of this volume is the tussle between the colonial state, reformist demands, and nationalist pressures, mapping out the shifting diagnosis of the moral and material ills associated with widowhood. While exploring the dynamic interplay between devotion and deviance, this book also offers glimpses into some widows' acts of resistance.
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Autorenporträt
Aishika Chakraborty is Professor and Director of the School of Women's Studies, Jadavpur University. Her research interests lie at the intersection of gender history and feminist performance. She has co-edited The Moving Space: Women in Dance and edited Ranjabati: A Dancer and Her World. Her Bengali monographs include Kolkatar Nach: Samakaleen Nagarnritya and Kolkatar Cabaret: Bangali, Younata Ebang Miss Shefali.