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This master's thesis describes the development of a collection of multimedia works that deal with the relationship between the feminine and the monstrous. It sets out to confront a conventional point of view that defines the feminine as strange and contrary to the established norm, which is masculine by definition. Based on research into the works of researchers in art, history, cinema and literature, namely Bram Dijkstra, Silvia Federici and Barbara Creed, the work presents the usual representation of the feminine as something grotesque and monstrous, and questions its unfolding.

Produktbeschreibung
This master's thesis describes the development of a collection of multimedia works that deal with the relationship between the feminine and the monstrous. It sets out to confront a conventional point of view that defines the feminine as strange and contrary to the established norm, which is masculine by definition. Based on research into the works of researchers in art, history, cinema and literature, namely Bram Dijkstra, Silvia Federici and Barbara Creed, the work presents the usual representation of the feminine as something grotesque and monstrous, and questions its unfolding.
Autorenporträt
Lorena Ramos is an artist and researcher with a degree in Visual Arts from the University of São Paulo and a master's degree from the Faculty of Fine Arts of the University of Lisbon. In her practice, she focuses on digital illustration, audiovisual creation and urban interventions.