Wildefire - Williams, Roy
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Do wrong, you get done, simple as. Gail Wilde is an average policewoman, but one who lives up to her nickname, 'Wildefire' - and in the precarious world of modern policing, being wild or full of fire is hardly likely to be appropriate for the job in hand . . . Suspicions surrounding Gail's professional conduct reach fever pitch when a fellow officer is involved in a serious incident on the beat. Conspiracy theories and rumours are rife - not only at work but at home too - and a cycle of accusations and recrimination ensues, spiralling out of control. Roy Williams's riveting thriller looks at…mehr

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Produktbeschreibung
Do wrong, you get done, simple as. Gail Wilde is an average policewoman, but one who lives up to her nickname, 'Wildefire' - and in the precarious world of modern policing, being wild or full of fire is hardly likely to be appropriate for the job in hand . . . Suspicions surrounding Gail's professional conduct reach fever pitch when a fellow officer is involved in a serious incident on the beat. Conspiracy theories and rumours are rife - not only at work but at home too - and a cycle of accusations and recrimination ensues, spiralling out of control. Roy Williams's riveting thriller looks at the maelstrom of urban policing, and the mental and physical impact it has on the people we rely on to keep the peace. This edition published to coincide with the world premiere at Hampstead Theatre, London.
Autorenporträt
Roy Williams, OBE, worked as an actor before turning to writing full-time in 1990. He graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing and participated in the 1997 Carlton Television screenwriter's course. The No Boys Cricket Club (Theatre Royal, Stratford East, 1996) won him nominations for the TAPS Writer of the Year Award 1996 and for New Writer of the Year Award 1996 by the Writers' Guild of Great Britain. He was the first recipient of the Alfred Fagon Award 1997 for Starstruck (Tricycle Theatre, London, 1998), which also won the 31st John Whiting Award and the EMMA Award 1999. Lift Off (Royal Court Theatre Upstairs, 1999) was the joint winner of the George Devine Award 2000. His other plays include: Night and Day (Theatre Venture, 1996); Josie's Boys (Red Ladder Theatre Co., 1996); Souls (Theatre Centre, 1999); Local Boy (Hampstead Theatre, 2000); The Gift (Birmingham Rep/Tricycle Theatre, 2000); Clubland (Royal Court, 2001), winner of the Evening Standard Charles Wintour Award for the Most Promising Playwright; Fallout (Royal Court Theatre, 2003) which was made for television by Company Pictures/Channel 4; Sing Yer Heart Out for the Lads (National Theatre, 2002, 2004), Little Sweet Thing (New Wolsey, Ipswich/ Nottingham Playhouse/Birmingham Rep, 2005), Slow Time (National Theatre Education Department tour, 2005), Days of Significance (Swan Theatre, Stratfordupon- Avon, 2007), Absolute Beginners (Lyric Theatre, Hammersmith, 2007), Joe Guy (Tiata Fahodzi/Soho Theatre, 2007), Baby Girl (National Theatre, 2007), Out of the Fog (Almeida Theatre, 2007), There's Only One Wayne Matthews (Polka Theatre, 2007), Category B (Tricycle Theatre, 2009) and Sucker Punch (Royal Court, 2010). He also contributed A Chain Play (Almeida Theatre, 2007) and Sixty Six (Bush Theatre, 2011). His screenplays include Offside, winner of a BAFTA for Best Schools Drama 2002. His radio plays include Tell Tale, Homeboys, Westway, which was broadcast as part of Radio 4 First Bite Young Writers' Festival, To Sir with Love, and The Interrogation. He also wrote Babyfather for BBC TV. He was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.