This is the first study of wildlife filmmaking in Southern Africa with particular emphasis on the relationship between trends there and elsewhere.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian Glenn is Emeritus Professor of Media Studies at the University of Cape Town and the author of First Safari: Searching for Francois Levaillant.
Inhaltsangabe
Introduction: The social, political and technological background Chapter 1: The Kruger and the politics of conservation Chapter 2: Catching rhinos: from Ian Player to John Wayne Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa Chapter 5: Michael Rosenberg and cultural brokering Chapter 6: David and Carol Hughes Chapter 7: Dieter Plage and South West Africa Chapter 8: John Varty and the role of the private lodge Chapter 9: Technology transfers and local innovations Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live Conclusion.
Introduction: The social, political and technological background Chapter 1: The Kruger and the politics of conservation Chapter 2: Catching rhinos: from Ian Player to John Wayne Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa Chapter 5: Michael Rosenberg and cultural brokering Chapter 6: David and Carol Hughes Chapter 7: Dieter Plage and South West Africa Chapter 8: John Varty and the role of the private lodge Chapter 9: Technology transfers and local innovations Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live Conclusion.
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