This work adopts a fresh approach by relating the vogue in the 1860s for sensation fiction to a specific phase of a crisis of faith in the bourgeois ideology of self-help. The demise of sensation fiction after a mere decade is then associated with a returned sense in the 1870s of the durability of the status quo, and the temporary revival of a moralism, which had seemed in a terminal condition in the 1860s.
This work adopts a fresh approach by relating the vogue in the 1860s for sensation fiction to a specific phase of a crisis of faith in the bourgeois ideology of self-help. The demise of sensation fiction after a mere decade is then associated with a returned sense in the 1870s of the durability of the status quo, and the temporary revival of a moralism, which had seemed in a terminal condition in the 1860s.
Nicholas Rance is senior lecturer in English literature at Middlesex Polytechnic.
Inhaltsangabe
Dim oblivion of right and wrong; innocent criminals: the domestic saga; sensation and supernaturalism; the sensation school; "The Woman in White" and "No Name": the sensation novel and self-help; mad today and sane tomorrow: the sensation novel and the asylum; Wilkie having missions: the demise of sensation fiction; conclusion - Sheridan Le Fanu and sensation fiction.
Dim oblivion of right and wrong; innocent criminals: the domestic saga; sensation and supernaturalism; the sensation school; "The Woman in White" and "No Name": the sensation novel and self-help; mad today and sane tomorrow: the sensation novel and the asylum; Wilkie having missions: the demise of sensation fiction; conclusion - Sheridan Le Fanu and sensation fiction.
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