While overlooked by extant studies of the Gothic, William Blakeâ s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary. -- .
While overlooked by extant studies of the Gothic, William Blakeâ s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chris Bundock is Assistant Professor of English at the University of Regina Elizabeth Effinger is Assistant Professor of English at the University of New Brunswick
Inhaltsangabe
Introduction - Chris Bundock and Elizabeth Effinger Part I: The bounding line of Blake's Gothic: forms, genres, and contexts 1. 'Living Form': William Blake's Gothic relations - David Baulch 2. The horror of Rahab: towards an aesthetic context for William Blake's 'Gothic' form - Kiel Shaub 3. The Gothic sublime - Claire Colebrook Part II: The misbegotten 4. Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus - Jason Whittaker 5. William Blake's monstrous progeny: anatomy and the birth of horror in The [First] Book of Urizen - Lucy Cogan 6. Blake's Gothic humour: the spectacle of dissection - Stephanie Codsi Part III: Female space and the image 7. The horrors of creation: globes, englobing powers, and Blake's archaeologies of the present - Peter Otto 8. Female spaces and the Gothic imagination in The Book of Thel and Visions of the Daughters of Albion - Ana Elena González-Treviño Part IV: Sex, desire, perversion 9. The horrors of subjectivity/the jouissance of immanence - Mark Lussier 10. 'Terrible Thunders' and 'Enormous Joys': potency and degeneracy in Blake's Visions and James Graham's celestial bed - Tristanne Connolly Bibliography Index
Introduction - Chris Bundock and Elizabeth Effinger Part I: The bounding line of Blake's Gothic: forms, genres, and contexts 1. 'Living Form': William Blake's Gothic relations - David Baulch 2. The horror of Rahab: towards an aesthetic context for William Blake's 'Gothic' form - Kiel Shaub 3. The Gothic sublime - Claire Colebrook Part II: The misbegotten 4. Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus - Jason Whittaker 5. William Blake's monstrous progeny: anatomy and the birth of horror in The [First] Book of Urizen - Lucy Cogan 6. Blake's Gothic humour: the spectacle of dissection - Stephanie Codsi Part III: Female space and the image 7. The horrors of creation: globes, englobing powers, and Blake's archaeologies of the present - Peter Otto 8. Female spaces and the Gothic imagination in The Book of Thel and Visions of the Daughters of Albion - Ana Elena González-Treviño Part IV: Sex, desire, perversion 9. The horrors of subjectivity/the jouissance of immanence - Mark Lussier 10. 'Terrible Thunders' and 'Enormous Joys': potency and degeneracy in Blake's Visions and James Graham's celestial bed - Tristanne Connolly Bibliography Index
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