William Carleton, Ireland's great but overlooked nineteenth-century writer, has for the past 150 years been denigrated as a failed novelist, but is here redeemed by David Krause's in-depth study of all his significant novels. Carleton employed techniques similar to the multi-voiced carnival (where oral folk tradition combines sacred with profane and the great with the insignificant) and mock-heroic version of pastoral (where comic characters make profound remarks and whose actions have unanticipated great effects). Through his novels, Carleton illuminated the exploitation of Irish lands by…mehr
William Carleton, Ireland's great but overlooked nineteenth-century writer, has for the past 150 years been denigrated as a failed novelist, but is here redeemed by David Krause's in-depth study of all his significant novels. Carleton employed techniques similar to the multi-voiced carnival (where oral folk tradition combines sacred with profane and the great with the insignificant) and mock-heroic version of pastoral (where comic characters make profound remarks and whose actions have unanticipated great effects). Through his novels, Carleton illuminated the exploitation of Irish lands by indifferent British authorities and rackrenting Anglo-Irish landlords and subsequent famine and holocaust. Krause's recognition of this ignored author of Irish fiction is a valuable addition to the field of Anglo-Irish literary studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Krause is Professor of English Emeritus, Adjunct Professor at Brown University and author of Sean O'Casey, The Man and His Work.
Inhaltsangabe
Chapter 1 Acknowledgments Chapter 2 Introduction Chapter 3 William Carleton: The Demiurge of a Comic Irish Carnival: Fardorougha the Miser (1839) Chapter 4 Carleton and Catholicism and the Polyphonic Nove: Valentine M'Clutchy (1845) Chapter 5 "The Holocaust of Humanity:" The Black Prophet (1847) Chapter 6 Multiple Voices in Carleton's Comic Pastoral: The Emigrants of Ahadarra (1848) Chapter 7 Carleton's Gallows Comedy: "Mirth and Murder:" The Tithe-Proctor (1849) Chapter 8 The Tragicomic Decline and Fall of the Protestant Big House: The Squanders of Castle Squander (1852) Chapter 9 Carleton's Lesser Novellas and Late Novels Chapter 10 The First Novella: Jane Sinclar (1836) Chapter 11 Three Morality Novellas: Art Maguire (1845), Rody the Rover (1845), Parra Sastha (1845) Chapter 12 The Five Late and Lesser Novels Chapter 13 Willy Reily and His Dear Cooleen Bawn (1855) Chapter 14 The Black Baronet (1858) Chapter 15 The Evil Eye (1860); The Double Prophecy (1862) Chapter 16 Redmond Count O'Hanlon, The Irish Rapparee (1862) Chapter 17 A Portrait of the Artist as Autobiographer Chapter 18 Bibliography Chapter 19 Index
Chapter 1 Acknowledgments Chapter 2 Introduction Chapter 3 William Carleton: The Demiurge of a Comic Irish Carnival: Fardorougha the Miser (1839) Chapter 4 Carleton and Catholicism and the Polyphonic Nove: Valentine M'Clutchy (1845) Chapter 5 "The Holocaust of Humanity:" The Black Prophet (1847) Chapter 6 Multiple Voices in Carleton's Comic Pastoral: The Emigrants of Ahadarra (1848) Chapter 7 Carleton's Gallows Comedy: "Mirth and Murder:" The Tithe-Proctor (1849) Chapter 8 The Tragicomic Decline and Fall of the Protestant Big House: The Squanders of Castle Squander (1852) Chapter 9 Carleton's Lesser Novellas and Late Novels Chapter 10 The First Novella: Jane Sinclar (1836) Chapter 11 Three Morality Novellas: Art Maguire (1845), Rody the Rover (1845), Parra Sastha (1845) Chapter 12 The Five Late and Lesser Novels Chapter 13 Willy Reily and His Dear Cooleen Bawn (1855) Chapter 14 The Black Baronet (1858) Chapter 15 The Evil Eye (1860); The Double Prophecy (1862) Chapter 16 Redmond Count O'Hanlon, The Irish Rapparee (1862) Chapter 17 A Portrait of the Artist as Autobiographer Chapter 18 Bibliography Chapter 19 Index
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