This early biography is both expensive and hard to find in its first edition. Chesterton provides a detailed and meticulous biography of the English farmer and journalist who lived between 1763 and 1835. This book is a fascinating read for any social or political historian. Contents: The Revival of Cobbett; A Self-Made Man; The Tragedy of the Patriot; Revolution and the Bones of Paine; The Amateur Historian; The Rural Rider; Last Days and Death. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are…mehr
This early biography is both expensive and hard to find in its first edition. Chesterton provides a detailed and meticulous biography of the English farmer and journalist who lived between 1763 and 1835. This book is a fascinating read for any social or political historian. Contents: The Revival of Cobbett; A Self-Made Man; The Tragedy of the Patriot; Revolution and the Bones of Paine; The Amateur Historian; The Rural Rider; Last Days and Death. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
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