Andrew Hadfield (ed.)

William Shakespeare's Othello

A Routledge Study Guide and Sourcebook
Herausgeber: Hadfield, Andrew

• Gebundenes Buch

Produktbeschreibung

"William Shakespeare's Othello (1601-2)" has delighted and disturbed theatre audiences for the past four centuries, and remains one of the most frequently performed and widely studied of his plays. This guide provides an introduction to: the contexts of the play, through an overview, a chronology and reprinted documents from the period.

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This volume is a broad-ranging guide to Othello, providing an introduction to the contexts of the play, the range of critical responses to the play and the play in performance.

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Produktdetails

• Verlag: Taylor & Francis
• REV edition
• Seitenzahl: 196
• Erscheinungstermin: 5. Dezember 2002
• Englisch
• Abmessung: 205mm x 141mm x 20mm
• Gewicht: 358g
• ISBN-13: 9780415227339
• ISBN-10: 041522733X
• Artikelnr.: 21267912

Autorenporträt

Andrew Hadfield is Professor of English at the University of Wales, Aberystwyth and Visiting Professor of English at Columbia University.

Inhaltsangabe

Series Editor's Preface Acknowledgements List of Illustrations Introduction 1. Contexts Contextual Overview Chronology Contemporary Documents: Giraldi Cinthio
Gli Hecatommithi (1566) Leo Africanus (John Leo) The History and Description of Africa
trans. John Pory (1600) Fynes Moryson An Itinery Containing His Ten Yeeres Travell (1617) Thomas Coryat Coryat's Crudities (1611) Christopher Marlowe The Jew of Malta (c. 1590) Robert Greene Selimus
Emporer of the Turks (1594) William Shakespeare Titus Andronicus (c.1594) 2. Interpretations Critical History Early Reception: Thomas Rymer
from A Short View of Tragedy (1693) Samuel Johnson
from The Plays of Shakespeare (1765) Samuel Taylor Coleridge
from 'Notes on the Tragedies' (published 1836-9) from Table Talk (1835) Edward Dowden
from Shakespeare: A Critical Study of His Mind and Art (1875) A. C. Bradley
from Shakespearean Tragedy: Lectures on Hamlet
Othello
King Lear
Macbeth (1904) Twentieth-Century Criticism: G. Wilson Knight The Othello Music E. E. Stoll 'Iago' (1940) William Empson Honest in Othello (1951) F. R. Leavis
from Diabolic Intellect and the Noble Hero (1952) Marvin Rosenberg from The Masks of Othello (1961) G. K. Hunter
Othello and Colour Prejudice (1967) Terry Eagleton Nothing (1986) Karen Newman 'And wash the Ethiop white': femininity and the monstrous in Othello (1987) David McPherson Othello and the Myth of Venice (1990) Lisa Jardine 'Why should he call her a whore?': Defamation and Desdemona's case (1990) Andrew Hadfield The 'gross clasps of a lascivious Moor': The Domestic and Exotic Contexts of Othello (1998) The Work in Performance: Virginia Mason Vaughan Othello on the English Stage 1604-1754 Sir Richard Steele The Tatler
no. 167 (2 May 1710) William Hazlitt 'Mr Macready's Othello' (13 October 1816) Virginina Mason Vaughan 'Paul Robeson's Othello' (1930
1943) Patricia Tatspaugh 'Orson Welles Othello' (1952) Stanley Wells 'Trevor Nunn's Othello' (1989) 3. Key Passages Introduction Key Passages: Act 1
scene 1
lines 81-80
Act 1
scene 3
lines 1-294
Act 2
scene 3
lines 255-357
Act 3
scene 3
lines 90-281
Act 3
scene 3
lines 333-482
Act 4
scene 1
lines 60-142
Act 4
scene 2
lines 30-92
Act 5
scene 2
lines 257-369 Further Reading Editions and Text Collections of Essays Background Reading Critical Interpretations Stage History Index

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Series Editor's Preface Acknowledgements List of Illustrations Introduction 1. Contexts Contextual Overview Chronology Contemporary Documents: Giraldi Cinthio, Gli Hecatommithi (1566) Leo Africanus (John Leo) The History and Description of Africa, trans. John Pory (1600) Fynes Moryson An Itinery Containing His Ten Yeeres Travell (1617) Thomas Coryat Coryat's Crudities (1611) Christopher Marlowe The Jew of Malta (c. 1590) Robert Greene Selimus, Emporer of the Turks (1594) William Shakespeare Titus Andronicus (c.1594) 2. Interpretations Critical History Early Reception: Thomas Rymer, from A Short View of Tragedy (1693) Samuel Johnson, from The Plays of Shakespeare (1765) Samuel Taylor Coleridge, from 'Notes on the Tragedies' (published 1836-9) from Table Talk (1835) Edward Dowden, from Shakespeare: A Critical Study of His Mind and Art (1875) A. C. Bradley, from Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth (1904) Twentieth-Century Criticism: G. Wilson Knight The Othello Music E. E. Stoll 'Iago' (1940) William Empson Honest in Othello (1951) F. R. Leavis, from Diabolic Intellect and the Noble Hero (1952) Marvin Rosenberg from The Masks of Othello (1961) G. K. Hunter, Othello and Colour Prejudice (1967) Terry Eagleton Nothing (1986) Karen Newman 'And wash the Ethiop white': femininity and the monstrous in Othello (1987) David McPherson Othello and the Myth of Venice (1990) Lisa Jardine 'Why should he call her a whore?': Defamation and Desdemona's case (1990) Andrew Hadfield The 'gross clasps of a lascivious Moor': The Domestic and Exotic Contexts of Othello (1998) The Work in Performance: Virginia Mason Vaughan Othello on the English Stage 1604-1754 Sir Richard Steele The Tatler, no. 167 (2 May 1710) William Hazlitt 'Mr Macready's Othello' (13 October 1816) Virginina Mason Vaughan 'Paul Robeson's Othello' (1930, 1943) Patricia Tatspaugh 'Orson Welles Othello' (1952) Stanley Wells 'Trevor Nunn's Othello' (1989) 3. Key Passages Introduction Key Passages: Act 1, scene 1, lines 81-80, Act 1, scene 3, lines 1-294, Act 2, scene 3, lines 255-357, Act 3, scene 3, lines 90-281, Act 3, scene 3, lines 333-482, Act 4, scene 1, lines 60-142, Act 4, scene 2, lines 30-92, Act 5, scene 2, lines 257-369 Further Reading Editions and Text Collections of Essays Background Reading Critical Interpretations Stage History Index