This study focuses on the significance of the displays of stained glass at several international exhibitions held in Britain, France, the USA and Australia between 1851 and 1900. It provides new perspectives for the study of nineteenth-century stained glass, within these temporary secular exhibition contexts. -- .
This study focuses on the significance of the displays of stained glass at several international exhibitions held in Britain, France, the USA and Australia between 1851 and 1900. It provides new perspectives for the study of nineteenth-century stained glass, within these temporary secular exhibition contexts. -- .
Jasmine Allen is Director and Curator of The Stained Glass Museum, the only museum dedicated to the art of stained glass in the UK, which boasts a national collection of stained glass from medieval to modern. She gained her PhD from the University of York.
Inhaltsangabe
Introduction 1 Exhibiting stained glass: classification, organisation and status 2 A multitude of displays 3 Stylistic eclecticism in nineteenth-century stained glass 4 Competition and exchange: exhibitors and their networks 5 Stained glass as propaganda Conclusion: reappraising nineteenth-century stained glass Appendix Bibliography Index
Introduction 1 Exhibiting stained glass: classification, organisation and status 2 A multitude of displays 3 Stylistic eclecticism in nineteenth-century stained glass 4 Competition and exchange: exhibitors and their networks 5 Stained glass as propaganda Conclusion: reappraising nineteenth-century stained glass Appendix Bibliography Index
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