This book reveals the impact of copyright law on transatlantic modernism in the United States. Key aspects of modernism-James Joyce's reputation in America, Ezra Pound's proposals for copyright reform, Samuel Roth's activities as a pirate-pornographer-are reexamined in the light of the U.S. law and the voracious public domain it created.
This book reveals the impact of copyright law on transatlantic modernism in the United States. Key aspects of modernism-James Joyce's reputation in America, Ezra Pound's proposals for copyright reform, Samuel Roth's activities as a pirate-pornographer-are reexamined in the light of the U.S. law and the voracious public domain it created.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert Spoo is Professor of Law at the University of Tulsa. A former editor of James Joyce Quarterly, he is the author of James Joyce and the Language of History (Oxford UP, 1994; net sales: 880).
Inhaltsangabe
* Introduction * Chapter 1: "The American Public Domain and the Courtesy of the Trade in the Nineteenth Century" * Chapter 2: "Transatlantic Modernism and the American Public Domain." * Chapter 3: "Ezra Pound's Copyright Statute: Perpetual Rights and Unfair Competition with the Dead." * Chapter 4: "James Joyce's Ulysses and American Copyright Protectionism." * Chapter 5: "James Joyce v. Samuel Roth and Two Worlds Publishing Company." * Chapter 6: "The 1934 Random House Ulysses: Copyright and Trade Courtesy. * Epilogue
* Introduction * Chapter 1: "The American Public Domain and the Courtesy of the Trade in the Nineteenth Century" * Chapter 2: "Transatlantic Modernism and the American Public Domain." * Chapter 3: "Ezra Pound's Copyright Statute: Perpetual Rights and Unfair Competition with the Dead." * Chapter 4: "James Joyce's Ulysses and American Copyright Protectionism." * Chapter 5: "James Joyce v. Samuel Roth and Two Worlds Publishing Company." * Chapter 6: "The 1934 Random House Ulysses: Copyright and Trade Courtesy. * Epilogue
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